Skip to main content

Rocking the Cradle of Civilization: An Advance Review of BBC America's Mini-Series "Occupation"

In recent years, there have been a lot of feature films that sought to capture either the political fallout from the occupation of Iraq or the atmosphere of violence and terror that have fallen over the Middle East since 9/11. Many of them have been avoided at large by moviegoers and television viewers, all of whom have been saturated by imagery from Iraq in every facet of the media.

But there have been very few projects, aside from perhaps The Hurt Locker, that have managed to capture the essence of what is going on over there while also managing to get inside the heads of the soldiers themselves and offer a look at the moral and psychological affects of warfare.

Enter BBC America's haunting and provocative mini-series Occupation, which airs Sunday evening on the digital cabler, and tells the stories of three British soldiers who, following their tour of duty in Iraq, are each drawn back to the war-torn country in search of something none of them will ever be able to find. The mini-series offers a searing and elegiac look at the horrors of war, transforming the battlefield into something powerfully personal.

Written by Peter Bowker (Blackpool) and directed by Nick Murphy, Occupation tells the story of those three soldiers--played respectively by Jekyll's James Nesbitt, Public Enemies' Stephen Graham, and Grownups' Warren Brown--as they come to grips with the staggering consequences of the choices they make and how those decisions spin out to affect everyone around them. In other words: war cannot be recovered nor recovered from.

Nesbitt plays Mike Swift, a married family man who becomes a national hero after he saves the life of an Iraqi girl injured in a bomb blast. Returning to Manchester with the girl's doctor, Aliyah (Lubna Azabal), Mike finds himself drawn increasingly into Aliyah's orbit as the two dance around their very obvious sexual attraction and she introduces him to the epic poem "Gilgamesh," which would seem to whisper to their secret desires. When Aliyah returns to Basra without saying goodbye, Mike follows her, lying to his wife about being recalled and setting out to find the woman he believes to be his soul mate. Mike's story is the backbone of the piece, connecting all of the separate threads into one compelling and unforgettable story about heartbreak and loss.

The lure of Iraq is somewhat different for Graham's suicidal opportunist Danny Peterson, who accepts an offer to partner up with an American associate (Nonso Anozie) and launch a career as a private military contractor. He quickly falls under the spell of greed, selling out his sense of what's right for way more than thirty pieces of silver, compromising his beliefs, his integrity, and his humanity. The twists in Danny's story are shocking and unexpected and Graham plays the squirmy Danny with a deft hand, slowly transforming him over the course of the mini-series from misguided to monstrous.

Brown's Lee Hibbs returns to Basra out of an altruistic sense to help the people of Iraq but his sentiments prove deadly and Lee finds himself caught up in a wave of violence and terror that takes hold of the region that quickly change his perceptions about what the US and the UK are doing in Iraq and whether their involvement has made things better for the Iraqi people or far worse. His dawning realizations about the truth of how the world operates are heartbreaking; his attempt to tip the scales of justice result in an even worse outcome than anyone could have realized.

What follows is an exploration of the complex tangle of emotion of those in the firing line. With pinpoint accuracy, all three actors memorably bring to life their characters, rendering them as flawed and conflicted people caught up in a violence that's affected the entire world. Despite the danger of their situation, there's a sad humanity to their interactions. They joke, love, scrap, manipulate, grieve, and make decisions that will affect the rest of their lives.

Ultimately, Occupation is a riveting mini-series that makes the current situation in Iraq painfully haunting and deeply personal, even as we live in an age where we're bombarded with reports from the front line. By making the focus point three men who attempt to come to terms with their own complicity and loss, Occupation makes it impossible to look away.



Occupation airs Sunday evening at 8 pm ET and 9 pm PT on BBC America.

Comments

Grace said…
Thank you for this thoughtful and intelligent review. I've heard a lot of good things about this project and am really looking forward to seeing it.
Chris said…
I saw this in Britain when it first aired and I cannot stress just how good it is. If only I had BBC America so I could watch it again. Stephen Graham's a revelation and I only wish he got more work stateside.
Eric said…
Will definitely be watching this now.
Jyl Dowd said…
Help!! I only got to see the beginning of this mini-series before my tivo cut out for no apparent reason. Is there anywhere that I can rent or buy it?
Jyl

Popular posts from this blog

Have a Burning Question for Team Darlton, Matthew Fox, Evangeline Lilly, or Michael Emerson?

Lost fans: you don't have to make your way to the island via Ajira Airways in order to ask a question of the creative team or the series' stars. Televisionary is taking questions from fans to put to Lost 's executive producers/showrunners Damon Lindelof and Carlton Cuse and stars Matthew Fox ("Jack Shephard"), Evangeline Lilly ("Kate Austen"), and Michael Emerson ("Benjamin Linus") for a series of on-camera interviews taking place this weekend. If you have a specific question for any of the above producers or actors from Lost , please leave it in the comments section below . I'll be accepting questions until midnight PT tonight and, while I can't promise I'll be able to ask any specific inquiry due to the brevity of these on-camera interviews, I am looking for some insightful and thought-provoking questions to add to the mix. So who knows: your burning question might get asked after all.

What's Done is Done: The Eternal Struggle Between Good and Evil on the Season Finale of "Lost"

Every story begins with thread. It's up to the storyteller to determine just how much they need to parcel out, what pattern they're making, and when to cut it short and tie it off. With last night's penultimate season finale of Lost ("The Incident, Parts One and Two"), written by Damon Lindelof and Carlton Cuse, we began to see the pattern that Lindelof and Cuse have been designing towards the last five seasons of this serpentine series. And it was only fitting that the two-hour finale, which pushes us on the road to the final season of Lost , should begin with thread, a loom, and a tapestry. Would Jack follow through on his plan to detonate the island and therefore reset their lives aboard Oceanic Flight 815 ? Why did Locke want to kill Jacob? What caused The Incident? What was in the box and just what lies in the shadow of the statue? We got the answers to these in a two-hour season finale that didn't quite pack the same emotional wallop of previous season ...

In Defense of Downton Abbey (Or, Don't Believe Everything You Read)

The proof of the pudding, as they say, is in the eating. Which means, if I can get on my soapbox for a minute, that in order to judge something, one ought to experience it first hand. One can't know how the pudding has turned out until one actually tastes it. I was asked last week--while I was on vacation with my wife--for an interview by a journalist from The Daily Mail, who got in touch to talk to me about PBS' upcoming launch of ITV's period drama Downton Abbey , which stars Hugh Bonneville, Dame Maggie Smith, Dan Stevens, Elizabeth McGovern, and a host of others. (It launches on Sunday evening as part of PBS' Masterpiece Classic ; my advance review of the first season can be read here , while my interview with Downton Abbey creator Julian Fellowes and stars Dan Stevens and Hugh Bonneville can be read here .) Normally, I would have refused, just based on the fact that I was traveling and wasn't working, but I love Downton Abbey and am so enchanted with the proj...