Back in 2006, I founded a television blog called Televisionary (the very one you're reading now). At the time, it was a little side-project that I stared while working in television development: something to do during the off-hours or (my infrequent) down-time or at my desk during my lunch breaks. Over the next few years, Televisionary morphed into a full-time job as I watched almost everything on television and cataloged my thoughts, penning reviews, conducting interviews with talent, breaking news, and aggregating the day’s entertainment news headlines and major listings every morning. It got noticed by Entertainment Weekly and The New York Times , The Chicago Tribune and CNN, Deadline and Variety . Televisionary took on a life of its own. It became discussed in Hollywood and I was always surprised to discover that actors or producers or executives who read my TV blog. It was a secret at first, one that I eventually shared with a few friends before spreading outwards, thanks
The creative force behind the period drama talks about where his characters are as his show begins its final episodes. “We left off with everyone’s material needs being met in an extreme way,” says Mad Men creator Matthew Weiner of where we last saw the characters on his critically acclaimed period drama when the show went on hiatus 10 months ago. “Then the issue is, what else is there?” That is the central question with the return to US TV of the AMC hit, one demanding to be answered by both the show’s characters, and its creator whose success is the envy of the television industry. Mad Men has been a defining part of Weiner’s life for the last 15 years. He wrote the pilot script on spec while he was a staff writer on CBS’ Ted Danson sitcom Becker in 1999, using it to land a writing gig on HBO’s The Sopranos in 2002. It would take another five years, filled with multiple rejections, before the first episode of Mad Men would make it on the air. Someone with less determination or vision