[Televisionary]

Netflix is jumping into the original programming arena with a remake of the BBC miniseries ‘House of Cards,’ all 13 episodes of which will be available for streaming on Friday. I talk to David Fincher, Beau Willimon, and Kate Mara about the adaptation, Frank and Zoe’s twisted dynamic, television antiheroes, and more. Over at The Daily Beast, you can read my latest feature, " House of Cards : Inside Netflix's First Show, " in which I sit down with David Fincher, Beau Willimon, and Kate Mara (as well as Andrew Davies) to discuss Netflix's upcoming (and paradigm-shifting) original series, House of Cards, which launches Friday with all 13 episodes available same day on the streaming service. The quest for power knows no nationality or political allegiance. In House of Cards , the BBC’s seminal 1990 miniseries , based on the novel by Michael Dobbs, Ian Richardson’s Francis Urquhart is the Machiavellian chief whip of the Conservative Party in the days following Margar

On FX’s The Americans , which begins Wednesday, Keri Russell plays a Soviet sleeper agent in 1980s suburban D.C. I talk with the former Felicity star about Russian spies, secret lives, and being a mom. At The Daily Beast, you can read my latest feature, "Keri Russell On The Americans , Sleeper Agents, Motherhood, and More," in which I sit down with Keri Russell to talk about FX Networks's new 1980s espionage drama The Americans (and why it's perhaps the anti- Felicity ), motherhood, and more. In the opening scene of The Americans, Joe Weisberg’s tense new 1980s spy drama, Soviet sleeper agent Elizabeth Jennings (Keri Russell) flirts with a middle-aged stranger in a Washington, D.C., bar. Donning a blond Pretty Woman-style wig and a short dress, Russell is nearly unrecognizable, convincingly transformed into a barfly who pretends to be turned on by a G-man’s security clearance. Elizabeth and her mark head to a hotel room, where she proceeds to seduce him in or

Blerg. 30 Rock will end its seven-season run later this month, meaning that we'll have to say goodbye to Liz Lemon, Jack Donaghy, and the TGS crew... though the show's creator, Tina Fey, isn't going anywhere just yet. In this week's Newsweek (and over at The Daily Beast), you can read my latest feature, " 30 Rock Wraps Up Seven Iconic Seasons," in which I examine the comedic legacy that the show leaves behind. Back in 2006, one of the year’s most highly anticipated new shows was a roman à clef set at a Saturday Night Live–style sketch comedy show. No, it wasn’t Tina Fey’s 30 Rock, but Aaron Sorkin’s Studio 60 on the Sunset Strip, which also aired on NBC and died in 22 episodes. In fact, 30 Rock was very nearly canceled right out of the gate, with nearly half its 8.2 million viewers fleeing by the fourth week. But instead of being axed, 30 Rock became a sleeper hit. The show that gave us Liz Lemon and launched a thousand catchphrases (“Blerg!”) wraps up

Mad Men returns on April 7! I talk with creator Matthew Weiner about what to expect from Season Six of the period drama, from a time jump to Don and Megan’s marriage. Over at The Daily Beast, you can read my latest feature, " Mad Men : Creator Matthew Weiner Shares 10 Facts About Season 6," in which I talk to Mad Men creator Matthew Weiner about what lies ahead for Don Draper and the staffers of Sterling Cooper Draper Pryce in Season Six of AMC's Mad Men. Hold on to your period-appropriate hats: AMC’s Mad Men will return for its sixth season on Sunday, April 7 at 9 p.m. with a two-hour premiere, the network announced today. (The Emmy Award-winning drama will settle into its regular time at 10 p.m. ET/PT the following week, with an episode directed by series star Jon Hamm.) “To be able to continue exploring the stories of these characters for a sixth season is an amazing opportunity,” said series creator and executive producer Matthew Weiner in a statement. “We lo

Following the conclusion of the show’s fourth season, I examine NBC’s underrated Parenthood and offer why television needs a fifth season of this remarkable drama. Over at The Daily Beast, you can read my latest feature, " Parenthood : In Praise of Season 4, Monica Potter, and More," in which I sum up my feelings about the fourth season of NBC's Parenthood and praise the show's subtlety and bravery. Dry your eyes: it’s time to celebrate this season of NBC’s Parenthood, not to mourn it. The show’s fourth season, which concluded Tuesday night, was arguably its best to date, one that captured the emotional highs and lows of family life with bravery, subtlety, and realism. Overall, Season 4 was both somber and uplifting—often at the same time—depicting and playing with the notion of change, as seen through the adults and children of the sprawling Braverman family. Change, as we know, comes in many forms: from the pangs of puberty and the leap into adulthood to th

Ahead of David Fincher’s American remake of House of Cards , which launches on Netflix in February, I revisit the original British potboiler and find that it still thrusts a steely rapier under the viewer’s skin. At The Daily Beast, you can read my latest feature, "Rewind: BBC’s Iconic Political Thriller House of Cards Still Captivates," in which I reflect upon the legacy and vitality of 1990 British miniseries House of Cards , ahead of Netflix's American remake--premiering Feb 1 and starring Kevin Spacey, Kate Mara, and Robin Wright--from David Fincher and Beau Willimon. Netflix, the now-ubiquitous digital streaming service, will enter the original programming arena with its upcoming American remake of House of Cards , from writer Beau Willimon ( Farragut North ) and director/executive producer David Fincher ( The Girl with the Dragon Tattoo ). The series, which launches Feb. 1, stars Kevin Spacey, Kate Mara, and Robin Wright in roles that are now as iconic as the

HBO’s Girls returns for a second season on Sunday night. I review the first four episodes of Season 2 of the Lena Dunham-created comedy, which "captures the quicksilver magic of Dunham at her best." Over at The Daily Beast, you can read my latest feature, " Girls : Season 2 of HBO’s Lena Dunham Comedy Soars," in which I review the first four episodes of Season 2 of HBO's Girls , the most polarizing television show of 2012. The most polarizing show of 2012 was HBO’s Girls , which revolves around the lives of four 20-something women orbiting each other in Brooklyn. The Lena Dunham–created comedy elicited a love-hate relationship with premium cable audiences. You either loved the bravery of the show, its incredible sense of voice and time, and its unrepentant navel-gazing attitude ... or you loathed it. In its first season, the show received various criticisms of racism, elitism, and, er, hipsterism. The amount of ink devoted to tearing down both Dunham and