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Time Flies: Thoughts on the Season Premiere of HBO's True Blood

I don't know about you, but I'm kind of sick of faeries, and it's only the first episode of the season... In my advance review, I was extremely upfront about my feelings about the handling of the faerie court and the opening sequence of the first episode of Season Four of True Blood ("She's Not There"), written by Alexander Woo and directed by Michael Lehmann, which depicted just what happened to Sookie Stackhouse (Anna Paquin) after she disappeared into the light at the end of last season. What we encounter is a seemingly, well, fairy tale kingdom where human-faerie hybrids snack on light fruits and hang out interminably by a lush fountain courtyard. Alas, nothing is as it seems and all that glitters is not gold... the tranquility that the tableau presents is once more a false front, a shiny facade concealing the waste and desolation of the faerie realm, which looks rather like the dusty canyons near Calabasas. What follows is a B-movie chase as faeries

Time Flies: Thoughts on the Season Premiere of HBO's True Blood

I don't know about you, but I'm kind of sick of faeries, and it's only the first episode of the season... In my advance review, I was extremely upfront about my feelings about the handling of the faerie court and the opening sequence of the first episode of Season Four of True Blood ("She's Not There"), written by Alexander Woo and directed by Michael Lehmann, which depicted just what happened to Sookie Stackhouse (Anna Paquin) after she disappeared into the light at the end of last season. What we encounter is a seemingly, well, fairy tale kingdom where human-faerie hybrids snack on light fruits and hang out interminably by a lush fountain courtyard. Alas, nothing is as it seems and all that glitters is not gold... the tranquility that the tableau presents is once more a false front, a shiny facade concealing the waste and desolation of the faerie realm, which looks rather like the dusty canyons near Calabasas. What follows is a B-movie chase as faeries

Faerie Tales: An Advance Review of Season Four of True Blood

We're heading back to Bon Temps at long last, as Season Four of HBO's libidinous and deliciously addictive vampire drama True Blood kicks off this weekend. When we last caught up with Sookie Stackhouse (Anna Paquin) and the other denizens of the sleepy Louisiana town turned supernatural hot spot, she had vanished into the light with her faerie godmother after learning that her vampire paramour, Bill Compton (Stephen Moyer) had perhaps not been quite so honest about the circumstances surrounding their first meeting. In true, er, True Blood fashion, multiple characters were either placed into jeopardy or decided to flee Bon Temps altogether in the third season ender, which closed a creatively uneven season that overflowed with vampire kings, werewolves, drug-induced nightmare visions, and creepy baby dolls. With Season Four, showrunner Alan Ball has the opportunity to right the cart a bit, introducing an overarching storyline that involves witchcraft and some devious spirit

The Daily Beast: "Inside True Blood's Fourth Season"

True Blood withdrawal getting you down? Fret not, fangbangers. Over at The Daily Beast, you can read my latest feature, entitled "Inside True Blood 's Fourth Season, " in which I sit down with executive producer/showrunner Alan Ball about the fourth season of the HBO vampire drama at his Hollywood office to get some details on what's to come this season. If that weren't enough True Blood -related deliciousness for you, you can also check out "Nine Things to Know About Season 4 of True Blood ," in which Ball teases what's to come for Sookie, Eric, Pam, Tara, Jessica and Hoyt, the faeries, the witches, and more. And there might be a hint or two about what's to come in Season Five as well... Season Four of True Blood begins this Sunday evening at 9 pm ET/PT on HBO.

Underworld: Orpheus Descending on the Season Finale of The Killing

I'll admit that I was completely unprepared for the level of vitriol directed at last night's season finale of The Killing ("Orpheus Descending"), written by Veena Sud and Nic Pizzolatto and directed by Brad Anderson. It wasn't a perfect season finale (it was woefully clunky and odd at times), but I also don't think that the series ender--or the first season itself--are worthy of the amount of gasoline that is being poured on it. For some, it's one match away from becoming an incendiary, because it failed to answer the series' central question: Who killed Rosie Larsen? Which is where I feel as though I have been watching a completely different series than other viewers. I'm not going to try to convince anybody that they were wrong to hate the finale, because this level of anger doesn't vanish thanks to some talking points. Television is a hugely subjective medium and our personal experiences with shows are just that: personal. What I will

Throne of Iron, Throne of Dust: Thoughts on the Season Finale of HBO's Game of Thrones

When all we have in life is stripped away from us, what do we have left? What is life worth then? These questions hover over the breathtaking finale of HBO's Game of Thrones ("Fire and Blood"), written by David Benioff and D. B. Weiss and directed by Alan Taylor, which depicts transformative moments in the lives of several characters, who must come to terms with not only palpable grief but also the realization that a brutal new status quo is upon them. It's a somber throughline that links the separate story threads of Daenerys, Arya, Sansa, and Catelyn, each of whom suffers a grievous loss and who must find their inner strength to face the day again. For a series that engendered some criticism at its outset from critics and viewers about its depiction of women, particularly the lead female characters at its center, it's a remarkable turning point. Each of these women has suffered at the hands of their enemies, losing the men in their lives, until they must st

Winter is Coming: Game of Thrones Live Chat Set for Monday at The Daily Beast

Just a heads up that I'll be conducting a live chat over at The Daily Beast on Monday at 11 am PT/ 2 pm ET time to discuss the season finale of HBO's Game of Thrones ("Fire and Blood"), airing Sunday evening. Join me and other television critics--including AOLtv's Maureen Ryan, Time 's James Poniewozik, and Cultural Learnings' Myles McNutt--and Game of Thrones experts (such as the brains behind Westeros.org and Winter is Coming.Net) and fans, as we discuss the end of the groundbreaking first season and the various twists and turns therein. You can enter your email address below for a reminder ahead of time as we move closer to the live event. <p><a href="http://www.coveritlive.com/mobile.php/option=com_mobile/task=viewaltcast/altcast_code=b4ba98ee43" >Live Chat: Game of Thrones Season Finale</a></p> The season finale of Game of Thrones airs this Sun