[Televisionary]

FX’s The Bridge , about a serial killer investigation that entangles both sides of the U.S.–Mexico border, is very good. If you haven’t seen the Danish-Swedish series it’s based on, you might even think it’s great. At The Daily Beast, you can read my latest story (one of my very last ones, in fact), "FX's Border-Killer Thriller," in which I review FX's The Bridge , based on the Danish/Swedish drama Broen , which begins tonight at 10 p.m. on FX. Borders are complex signifiers, reinforcing both national and cultural identities as well as distinguishing between outsiders and insiders. Where you are, how you see yourself, depends largely on what side of the wall—visible or invisible—you’re standing on at the moment. Few modern-day national borders are as fraught or as psychologically charged as that between the United States and Mexico, a nearly 2,000-mile line in the sand that is the most frequently crossed international border in the world. It’s this internationa

The Duchess of Cornwall is just one obsessive viewer. Nordic Noir—embodied in Scandinavian dramas like The Killing, The Bridge , and Borgen —have become cult hits in the U.K., and are about to become the go-to formats for American TV pilots. I explore the genre’s appeal, its breakout female characters, and why audiences in the U.S. are unlikely to see many of them in their original form (but it is possible to see them!). Over at The Daily Beast, you can read my latest feature, "The Rise of Nordic Noir TV," in which I explore why these Scandinavian dramas have become cult hits in the U.K., how they are ripe for American adaptations, and their universal appeal. While AMC’s The Killing has been dumped in a trunk to die like Rosie Larsen, its progenitor, Denmark’s Forbrydelsen, continues to slay viewers around the globe on the strength of its moody wit and strong-willed protagonist. Forbrydelsen (in English, The Crime) became a cult hit in the United Kingdom when it air