[Televisionary]

Switched at Birth , which kicked off a multi-episode arc last night about campus rape featuring one of its main characters, might just be the bravest show on television. The anger directed at HBO's   The Newsroom   in December in the wake of   an episode that attempted to capitalize on the debate surrounding the scourge of college sexual assault   crystallized the complexity of emotions surrounding the very complicated issue plaguing campuses nationwide. At the time, the   Rolling Stone /UVA debacle was dominating headlines — a magazine story that was meant to serve as crusading journalism, peeling back the lid of insidious behavior at the Virginia university and bringing awareness of the situation to a larger audience, instead had the opposite effect as the story's factual basis was attacked and the magazine backed away from supporting the writer. Any platform that the story could have provided rape victims — particularly those on college campuses — was undone, and the piece i

HBO's stranger-than-fiction true crime documentary The Jinx   — about real estate heir Robert Durst — brings the chills and thrills missing since Serial   wrapped up its first season. Serial   obsessives: HBO's latest documentary series is exactly what you've been waiting for.   The Jinx: The Life and Deaths of Robert Durst , like Sarah Koenig's beloved podcast, sifts through old documents, finds new leads from fresh interviews, and seeks to determine just what happened on a fateful day in which the most foul murder was committed. And, also like  Serial  before it,  The Jinx may also hold no ultimate answer to innocence or guilt. But that seems almost beside the point; such investigations often remain murky and unclear, and guilt is not so easy a thing to be judged. Instead, this upcoming six-part tantalizing murder mystery, from director Andrew Jarecki ( Capturing the Friedmans ), is a gripping true crime story that unfolds with all of the speed of a page-turner; it

  Farewell, Team Braverman. It couldn't be more fitting that  Parenthood , which wrapped up its six-season run on Jan. 29, ended with a baseball game. The pilot episode of the Jason Katims-created show ( very  loosely based on the 1989 feature film) ended in the same fashion: After a negative experience, Max Braverman (Max Burkholder) doesn't initially want to play in his baseball game, but when he changes his mind, the entire Braverman clan races to get him there in time.  There's a beautiful sense of symmetry, therefore, to how  Parenthood 's final episode ended, with the Bravermans uniting to celebrate one of their own, Zeek (Craig T. Nelson), on the baseball diamond, fulfilling his wishes and bringing each other closer together in the process. With the series bookended both by the most American of sports — Crosby (Dax Shepard) once refers to baseball as the Bravermans' "religion" — and by Sarah (Lauren Graham) finding her true place (moving in with her

Adult Swim’s surreal satire of sitcoms subverts our expectations of nostalgia. You might be able to go home, but it will never be the same. "Too Many Cooks" began as an Adult Swim parody that aired on Cartoon Network's late-night block for a week or so at the end of October, but since then, the surreal and twisted 11-minute video has gone viral in a way that even its creators,  Chris "Casper" Kelly ( Squidbillies ) and Paul Painter, have been gobsmacked by . What is it about this short that has exerted such a magnetic pull on so many? "Too Many Cooks" is, on the surface, initially a parody of 1970s and 1980s sitcoms that once populated the television landscape. These are the types of shows you might recall watching from the couch of your grandparents' house, shows like  The Brady Bunch ,  Three's Company ,  Family Matters , and  Perfect Strangers  with their familiar theme songs and title sequences, once hallmarks of the sitcom form. They'r

The CBS legal drama, now in its sixth season, continually shakes up its narrative foundations and proves itself fearless in the process. Spoilers ahead, if you’re not up to date on the show. At BuzzFeed, you can read my latest feature, " The Good Wife Is The Best Show On Television Right Now," in which I praise CBS' The Good Wife and, well, hail it as the best show currently on television. (Yes, you read that right.) There is no need to be delicate here: If you’re not watching The Good Wife, you are missing out on the best show on television. I won’t qualify that statement in the least — I’m not talking about the best show currently airing on broadcast television or outside of cable or on premium or however you want to sandbox this remarkable show. No, the legal drama is the best thing currently airing on any channel on television. That The Good Wife is this perfect in its sixth season is reason to truly celebrate. Few shows embrace complexity and risk-taking in t

The new Showtime drama joins movies Gone Girl and The Disappearance of Eleanor Rigby in its exploration of gender wars, a topic that’s currently heating up the pop culture landscape. Warning: Minor spoilers for both films and the series ahead. At BuzzFeed, you can read my latest feature, " The Affair Advances Hollywood’s Heated War-Between-The-Sexes Conversation," in which I review Showtime's The Affair and examine it in the context of the similarly themed battle-of-the-sexes dramas Gone Girl and The Disappearance of Eleanor Rigby . While we can attempt to empathize, it’s impossible to truly ever know every crevice of someone’s psyche, whether it’s the stranger you pass in the street or your own spouse. Other people are innately unknowable. Gone Girl, whose gender politics have been hotly debated, takes this notion to an operatic and hyper-intense place as the audience is forced to contend with the unreliability of two narrators — Nick Dunne (Ben Affleck), the

The Shonda Rhimes-executive produced legal thriller might be pushing some boundaries, but its over-reliance on a wonky narrative device is leaving something to be desired. Warning: Contains spoilers if you are not up to date on the show. At BuzzFeed, you can read my latest feature, " How To Get Away With Murder Doesn’t Quite Get Away With Its Framing Device," in which I examine the Shonda Rhimes-executive produced thriller and look at the way in which the show constructs its framing device... and falls short as a result. There are many things for which How to Get Away With Murder — from creator Peter Nowalk and executive producer Shonda Rhimes — ought to be celebrated. ABC’s new legal thriller, which has aired two episodes to date, follows the Rhimes-ian ideals of its forebears, resulting in a show that is thoroughly modern and diverse, brimming with complicated characters who are inherently flawed and yet innately watchable. Likewise, the show has already challenged

“Guys, where are we?” At BuzzFeed, you can read my latest feature, " Lost Changed My Life In More Ways Than I Can Count," in which I revisit the 10th anniversary of Lost 's premiere and look at how my life has changed in the time since the show first began. I saw the pilot episode of Lost a few months before it premiered on ABC exactly 10 years ago today — on Sept. 22, 2004. I was working in television development at the time, and a box of pilots — they may have even been on VHS tapes — had just arrived from a talent agency. My co-workers and I gathered in a tiny, cramped office to sort through the 30–40 screeners, most with titles and premises now forgotten, to find our copy of Lost. Damon Lindelof was an unknown name to us then, but we were addicted to Alias, the trippy espionage drama from Lost co-creator J.J. Abrams, who had also won our hearts with the wistful Felicity. Twitter and social media as we now know them did not yet exist and, while we had followe

Julian Fellowes’ costume drama begins its fifth year with a slew of domestic intrigues in place, as well as some new tensions. WARNING: Minor spoilers ahead! At BuzzFeed, you can read my latest feature, " Downton Abbey Season 5 Begins With A Jolt," in which I review the fifth season premiere of Downton Abbey , which launches on ITV in the U.K. (Sorry, U.S. readers!) Period drama Downton Abbey had begun to show signs of wear and tear, particularly in its fourth season, where the creakiness of the subplots began to match that of the house’s ancient stairs. It was, simply put, not the best year for the drama, which had come off the narrative highs of its third season, including the highly emotional deaths of two linchpin characters, Matthew Crawley (Dan Stevens) and Lady Sybil (Jessica Brown Findlay). But, in its fourth, Downton sagged into overt melodrama with storylines involving murder, blackmail, and the shocking and highly controversial rape of Anna Bates (Joanne Fr

David Lynch unveiled nearly 90 minutes of deleted and extended scenes to his 1992 film Twin Peaks: Fire Walk With Me at a Los Angeles theater last night. It was intense and weird. At BuzzFeed, you can read my latest feature, " Twin Peaks: The Missing Pieces Makes You See Fire Walk With Me In A Different Way," in which I look at the so-called Missing Pieces from Twin Peaks — the deleted scenes from David Lynch's Fire Walk with Me — unveiled by Lynch last night at the world premiere in Los Angeles. WARNING: The following contains information about the identity of Laura Palmer’s killer. If, by some chance, you are reading this and haven’t finished the more than two decades-old series, stop reading before you are spoiled. Twin Peaks: Fire Walk With Me , David Lynch’s follow-up prequel to cult classic television series Twin Peaks , has always been an odd beast. It recounts the final seven days of the life of Laura Palmer (Sheryl Lee), whose inexplicable and brutal

After a sterling first season, expectations were high for the sophomore season of Jenji Kohan’s female prison drama. Fortunately, Season 2 proved to be just as juicy, sweet, and tart as you’d want it to be. (MAJOR SPOILERS ahead.) At BuzzFeed, you can read my latest feature, "The Whole Of Orange Is the New Black Season 2 Is Greater Than The Sum Of Its Parts," in which I review the entirety of the incredible second season of Netflix's Orange Is the New Black . Orange Is the New Black ’s stunning second season manages to be ambitiously large and somehow intimate. It’s the equivalent of a pointillist painting: from up close each dash and dot has its own individual identity and meaning, but when viewed at a distance, they coalesce into something altogether different and dependent on its parts. In its deeply complex and magnificent sophomore year, Jenji Kohan’s Orange Is the New Black offers a scathing indictment of a broken system, using Litchfield Penitentiary as a

The second season of the Netflix prison drama is a gripping, beautiful, majestic thing. Warning: Spoilers for Season 2 ahead! At BuzzFeed, you can read my latest feature, " Orange Is the New Black Continues The Dickensian Tradition Of The Wire ," in which I review Season 2 of Netflix's Orange Is the New Black , which returns June 6 on the streaming platform. There are the television shows that you love to watch but that drift from powerful and provocative to comforting background noise, and then there are those that arrive with the momentous force of a revolution, issuing a clarion cry that is impossible to resist. Women’s prison drama Orange Is the New Black , which returns for its second season on June 6, is most definitely the latter, a groundbreaking and deeply layered series that explores crime and punishment, poor circumstance, and bad luck. (At its heart, it is about both the choices we make and those that are made for us.) It constructs a gripping narrativ

The Lee Pace–led Halt and Catch Fire , set in 1983 Dallas, offers up a pitch-perfect pilot about ambition, greed, and visionary dreamers at the heart of the tech revolution. At BuzzFeed, you can read my latest feature, "AMC Has Found A New Don Draper And He’s Ginsberg’s Worst Nightmare," in which I review the pilot episode of AMC's new period drama Halt and Catch Fire , which begins Sunday at 10 p.m. Mad Men has made the world safe for period dramas: Nearly every cable network seems to be launching a time capsule program (and quite a few broadcasters have tried and failed) designed to penetrate our cynicism and trap a bygone era in amber. As Mad Men, the blue chip iteration of the period drama, wraps up its seven-season run, Showtime’s Masters of Sex and even Penny Dreadful, HBO’s Boardwalk Empire, and AMC’s Turn have sprung up in its shadow. Which brings us to AMC’s latest deep dive back in time, the ’80s–set computer drama Halt and Catch Fire (which begins June 1

Don’t be fooled: Matthew Weiner’s period drama has always been about the future. Warning: contains spoilers for “Waterloo.” At BuzzFeed, you can read my latest feature, "The Midseason Finale Of Mad Men Is One Giant Leap Forward," in which I review the midseason finale of AMC's Mad Men ("Waterloo"), which represents a giant leap forward for the characters and for the show itself. For a show about the past, Mad Men has always been about the desperate pressing of the future against the figurative glass. In looking back to the 1960s, the show has held up a tarnished mirror to our own society, our own failings, our own future. A moon landing is full of promise; an old man lives just long enough to see the impossible made possible. Old ways — and the literal old guard — slip away. Companies perish and new ones are formed. Alliances, once fractured, are renewed. This dance is eternal, the combustive pressure between the past and the future, between cynicism a

Lee Pace in an ’80s computer-programming drama, a Victorian horror mash-up, sex researchers, Jack Bauer, Louie, and female prisoners? Check, check, check, check, check, and check. At BuzzFeed, you can read my latest feature, "16 New And Returning TV Shows Worth Watching This Summer," in which I round up 16 new and returning shows that are worth watching (or at least checking out) this summer, including Penny Dreadful, Halt and Catch Fire, 24: Live Another Day, Rectify, Last Tango in Halifax , and more. Continue reading at BuzzFeed...

David Lynch and Mark Frost’s grand opus celebrates nearly a quarter century of influencing television. Damn fine show. At BuzzFeed, you can read my latest feature, " Twin Peaks Is 24 Years Old And It Still Haunts Your Dreams," in which I (very briefly) explore just why Twin Peaks continues to hold a special allure nearly a quarter century after it first premiered. Nearly 25 years after it first premiered on ABC, Twin Peaks — the brainchild of David Lynch and Mark Frost — continues to exert an inescapable gravitational pull on the imaginations of viewers and on the television landscape as a whole. Yes, there is still the totemic power of such influential series such as The Wire , or Six Feet Under , or The Sopranos , but Twin Peaks remains a powerful shorthand for ethereal, riveting mystery, and for good reason. Nominally about the investigation into the murder of homecoming queen Laura Palmer (Sheryl Lee), the serialized drama was responsible for creating the night

Besides the number of times this period drama makes you sob like a baby. At BuzzFeed, you can read my latest feature, "7 Reasons Call The Midwife Is One Of The Best Shows On Television," in which I extol the virtues of Call the Midwife , which returns for its third season on Sunday, March 30. The third season of BBC’s Call the Midwife — which wrapped up last month in the U.K. and begins on March 30 on PBS in the States — attracted an audience of more than 10 million viewers when it aired across the Atlantic, a figure that puts it on nearly equal footing with Downton Abbey . But that series gets far more attention than this subtle and superb period drama. Set in 1950s East End London and based on Jennifer Worth’s memoirs, Call the Midwife tracks the lives of a group of young midwives and the sisterhood of nuns with whom they work at Nonnatus House. Babies are born, labors — both real and figurative — undertaken, and love blossoms and fades. It is an extraordinary sho

No one saw that coming, not even BuzzFeed Entertainment Editorial Director Jace Lacob and Senior Editor Louis Peitzman, who discuss the shocking reveal on the legal drama. MAJOR SPOILERS AHEAD, if you haven’t watched. Over at BuzzFeed, you can read my latest feature, "Was That Good Wife Twist Cheap Or Profound?" in which Louis Peitzman and I debate whether the twist in this week's episode of The Good Wife was warranted or manipulative. The March 23 episode of The Good Wife (“Dramatics, Your Honor”) pushed the critically acclaimed legal drama into new directions, courtesy of an unexpected plot twist that somehow stayed under wraps until it unfolded on-air. (If you haven’t yet seen Sunday’s episode, stop reading right now. I mean it. STOP. Just stop. There are MAJOR SPOILERS ahead and if you’ve somehow managed to avoid finding out what happened, this is your last chance to do so.) On this week’s episode, Will Gardner (Josh Charles) was shot and killed by his cl

BuzzFeed’s Entertainment Editorial Director Jace Lacob (that's me!) and Chief Los Angeles Correspondent Kate Aurthur sat down to discuss the sequel film. They agreed on one thing. Maybe two. At BuzzFeed, you can read my latest feature, "A Lover And A Hater Debate The Veronica Mars Movie," in which I sit down with Kate Aurthur to debate the merits of the new Veronica Mars movie, which opens on March 14. Jace: Ah, Veronica Mars. A long time ago, we used to be friends… And I’m honestly happy that the former teenage sleuth is back in the Veronica Mars feature film, which I quite enjoyed. Yes, I’m one of those people who has watched all three season of the UPN-CW drama several times over, and that may have played a role in my feelings about the film. But I feel like, while you loved the show, you didn’t feel the same way about the film? Kate: Yes, I loved the show — or at least the first season, which I thought was close to perfect. After that, I found it sporadical

After Sochi, the wolf, the bitter protests, and human rights violations, the second season of the FX Cold War drama arrives at the perfect time to look back at failed Soviet ambitions. Minor spoilers ahead. At BuzzFeed, you can read my latest feature, " The Americans Season 2 Arrives Just As U.S.–Russian Relations Turn Icy," in which I review the second season of FX's The Americans . With the closing of the Sochi Olympics earlier this week, Russia is on our collective minds once more: FX has rather cannily picked the perfect time to launch the second season of its gripping Cold War drama The Americans, which revolves around a set of married Soviet sleeper agents, Elizabeth (Keri Russell) and Philip Jennings (Matthew Rhys), in suburban 1980s Washington, D.C. Yes, The Americans has car chases and street brawls, silly wigs and costume changes (not to mention one scene in particular that pushes the boundaries of basic cable depictions of sexuality), but these elements