[Televisionary]

“Guys, where are we?” At BuzzFeed, you can read my latest feature, " Lost Changed My Life In More Ways Than I Can Count," in which I revisit the 10th anniversary of Lost 's premiere and look at how my life has changed in the time since the show first began. I saw the pilot episode of Lost a few months before it premiered on ABC exactly 10 years ago today — on Sept. 22, 2004. I was working in television development at the time, and a box of pilots — they may have even been on VHS tapes — had just arrived from a talent agency. My co-workers and I gathered in a tiny, cramped office to sort through the 30–40 screeners, most with titles and premises now forgotten, to find our copy of Lost. Damon Lindelof was an unknown name to us then, but we were addicted to Alias, the trippy espionage drama from Lost co-creator J.J. Abrams, who had also won our hearts with the wistful Felicity. Twitter and social media as we now know them did not yet exist and, while we had followe

Happy birthday, Mr. Dickens. Over at The Daily Beast, we're celebrating Charles Dickens’s 200th birthday. You can read my latest feature, entitled "Happy Birthday, Charles Dickens! Lost, NCIS, Big Love, Veep Writers on His Legacy," in which I talk to TV auteurs including Lost 's Carlton Cuse and Damon Lindelof, The Thick of It and Veep creator Armando Iannucci, NCIS 's Gary Glasberg, and others as they reflect on how Dickens’s work has influenced storytelling on television. Today marks the 200th anniversary of the birth of Charles Dickens (1812–1870), but the popularity of the writer of such novels as Great Expectations, Bleak House, A Tale of Two Cities, and David Copperfield—to name but a few of his immortal works—hasn’t diminished in the time since his death. In the pantheon of great English-language novelists, Dickens reigns supreme for a number of reasons. He was a master storyteller who created unforgettable characters—a menagerie that included th

J.J. Abrams' Super 8 falls into some of the same traps as his other projects, setting up expectations of mysteries it can't possibly fulfill. Over at The Daily Beast, you can read my latest feature, entitled " Super 8 : Stop Being So Secretive, J.J.," in which I offer a memo to Abrams and discuss why the director needs to move on. And, just in case you haven't yet seen Super 8 , I'll offer up the following caveat. WARNING: Contains spoilers! What do you think? Has J.J. Abrams outgrown the mystery box? Does he need to stop cloaking his projects in such shrouds of secrecy that audiences come to expect the delivery of a major twist or surprise reveal that he's setting himself up to fail? Head to the comments section to discuss.

Sci-fi auteur Abrams' latest TV show, Undercovers , has gotten the axe at NBC. Over at The Daily Beast, I take look at what went wrong and why TV needs a fully-committed, not watered down, Abrams in my latest feature, "Is J.J. Abrams Too Big for TV?" Do you agree with my assessment? Did you try to watch Undercovers ? Do you miss the days of Lost, Alias , and Felicity ? Should Abrams be more committed to these television endeavors even as his feature film career skyrockets? Or is it a case of over-committing, audience expectations, or creative partnerships? Head to the comments section to discuss.

Welcome to your Thursday morning television briefing. Today's briefing will be shorter than usual as I'm typing this on my iPhone, as my internet connection is down. Entertainment Weekly 's Michael Ausiello is reporting that ex- Lost executive producers Edward Kitsis and Adam Horowitz are teaming up with co-creator Damon Lindelof to develop a drama pilot that's said to be "fairy-tale-themed" and will feature "a female lead." No other details are available, but it's thought that ABC Studios will be the studio behind the project as Kitsis and Horowitz have an overall deal there. Should the project get ordered to pilot, Lindelof would join the staff in a consulting capacity. ( Entertainment Weekly 's Ausiello Files ) Vulture's Josef Adalian is reporting that NBC is developing an adventure/dating reality mashup that's being described as a blend of The Bachelor and Survivor . Project, currently being called Love in the Wild , hails from

Law & Order: SVU valentines, anyone? Over at The Daily Beast today, I offer a look at "TV's Pop Art Boom." In my latest feature , I talk to graphic artists Dyna Moe and Ty Mattson about their Mad Men -, Lost -, and Dexter -inspired artwork, which has redefined the term "fan art" and taken it to an entirely different level, where television-inspired pieces are challenging the way that we look at the medium and offering a new perspective to the atmosphere, characters, setting, and tone of some of our favorite series. Plus, I offer a gallery of television-inspired pieces of art from Dyna Moe, Ty Mattson, Brandon Bird, and others, including some must-see Law & Order -inspired pieces.

As I said over on Twitter early this morning, "Six years ago today, Oceanic Flight 815 left Sydney for Los Angeles...and took our hearts with it. Happy birthday, Lost ." It's hard to believe that it's been six years since the passengers of the doomed Oceanic Flight crashed on that mythical, magical island and launched not only a television saga for the ages, but also a series of copycat programs that the original far outlived and an enduring legacy. While my feelings about the series finale are no secret (you can read my behemoth 4000-plus word post about the finale here and my shorter late-night take at The Daily Beast ), I still have a deep love for this series, which challenged the conventions of network drama series and introduced an overarching mythology whose spell many of us fell under in the years to come. My relationship with the series dates back more than six years to when I first viewed the feature-length pilot episode in a tiny office in May of 2004. I w

Welcome to your Wednesday morning television briefing. Break open the moonshine! HBO has renewed period drama Boardwalk Empire for a second season, after airing just one episode of the Terence Winter/Martin Scorsese crime drama, which averaged 4.8 million viewers in its premiere broadcast. “All the ingredients aligned for this one, from Mark Wahlberg and Steve Levinson’s initial pitch, to Martin Scorsese’s enormous contributions as director and executive producer, to the genius of Terry Winter and the expertise of Tim Van Patten, to a stellar cast led by Steve Buscemi,” said Michael Lombardo, President of HBO Programming, in a statement. “The response from the media and our viewers has been nothing short of amazing.” (via press release) In other renewal news, USA has finally closed a deal to renew Law & Order: Criminal Intent for a tenth and final season of eight episodes, with original series lead Vincent D'Onofrio set to reprise his role as Detective Robert Goren, while pro

Welcome to your Monday morning television briefing. Could Lost 's Terry O'Quinn and Michael Emerson be headed back your televisions? If J.J. Abrams gets his way, they'll be reuniting for a drama project--tentatively entitled Odd Jobs --that Abrams, along with Josh Appelbaum and Andre Nemec, are pitching to the networks. Vulture's Josef Adalain is reporting that the drama, which will also contain a large amount of humor, revolves around "former black-ops agents." It's unknown whether the project is based on any part on the idea that Emerson and O'Quinn had floated a while back in which they'd play suburban hit men. But the fact that Abrams' Bad Robot--and possibly by association Warner Bros. Television--is behind Odd Jobs (or whatever it might eventually be called), is a good sign that the project will at least be picked up to pilot. ( Vulture ) AOL Television's Maureen Ryan talks to Linda Hamilton about her role as Mary Elizabeth Bartowski

Today, Walt Disney Studios Home Entertainment released both Lost: The Complete Collection and Lost: The Complete Sixth and Final Season on DVD and Blu-ray. The box sets contain the latest--and possibly last--in-canon adventures of the Lost cast via the twelve-minute epilogue entitled "The New Man in Charge," which stars Michael Emerson, Jorge Garcia, and... Well, that would be telling. Over at The Daily Beast, I discuss " Lost : The New Man in Charge" as well as my thoughts about the strength or weakness of the epilogue as a narrative outgrowth of the series in a piece entitled "Secrets of Lost Revealed on New DVD." Plus, I check in with fellow television critics and writers Maureen Ryan (now of AOL Television), Entertainment Weekly 's Jeff "Doc" Jensen, Time 's James Poniewozik, and New York Magazine 's Emily Nussbaum to see their reactions to the Lost epilogue, how it fits in with the contentious ending of the series itself, a

With the 2010 Emmy Awards less than a week away, it's time to take a look at this year's front-runners and weigh the major races that are already underway. Over at The Daily Beast, you can read my latest feature, "2010 Emmys: Who Will Win This Year?" in which I take a look (via a visual gallery) at who will win the top spots this year and who should be taking home those statuettes come August 29th. Do you agree with my assessments? Think Julianna Margulies is a lock? Or do you think that I'm wrong and Aaron Paul won't get overlooked for a Best Supporting Actor award? Head to the comments section to discuss and debate and post your take on the major categories. The 62nd Primetime Emmy Awards will air live coast to coast on Sunday, August 29th on NBC.

Welcome to your Monday morning television briefing. TV Guide Magazine 's Will Keck is reporting that Bones producers have turned lemons into lemonade with their upcoming Jersey Shore -inspired episode, following the breakdown in talks with The Situation. Instead, Bones has recruited Antonio Sabato Jr. to play a "guido bouncer at a Jersey Shore club that Brennan (Emily Deschanel) and Booth (David Boreanaz) visit to question someone involved with a murder." ( TV Guide Magazine ) Mad Men 's Sam Page is heading to the Upper East Side, according to Entertainment Weekly 's Michael Ausiello, who reports that Page has been cast in a multiple-episode story arc on the CW's Gossip Girl , where he will play a new love interest for Blake Lively's Serena. He's first expected to turn up in an episode slated to air in October. ( Entertainment Weekly 's Ausiello Files ) The Chicago Tribune 's Maureen Ryan--soon to be AOL's chief television critic--has an

Welcome to your Thursday morning television briefing. AMC has given a series order to pilot The Killing , which hails from writer/executive producer Veena Sud and Fox Television Studios and is based on Danish television series Forbrydelsen , ordering thirteen episodes which will air sometime in 2011. Series, which will star Big Love 's Mireille Enos, revolves around the murder of a young girl and a police investigation that connects several seemingly separate story threads. "We are thrilled to be moving forward with this stunning piece of television," said Joel Stillerman, AMC's senior vp of original programming, production and digital content, in a statement. "It is a crime drama, but it is also a gripping character based story that pulls you in and doesn't let go. The storytelling is completely compelling, and the show is visually breathtaking." In addition to Enos, the project--which will be renamed, sadly--also stars Billy Campbell, Michelle Forbes,

Welcome to your Wednesday morning television briefing. Entertainment Weekly 's Michael Ausiello caught up with Fringe star Jasika Nicole to get some information about Season Three of Fringe , kicking off this fall, and a "groundbreaking and mind-blowing" twist. "She is indeed," said Nicole when asked if Astrid would get more to do in Season Three. "And that's due to the fact that there are now two of her that I get to play, which is awesome. [For the first half] of the season, we're alternating episodes, so we've got one in the alternate universe and one in the present universe, so if you were to only [watch] every other episode, you would only see the story happening in one universe." Nicole told Ausiello that the two storylines will converge into a single stream where "everyone's world will be turned upside down." Wowsers. ( Entertainment Weekly 's Ausiello Files ) Diablo Cody is heading to FOX. The network signed a put

At an awards ceremony hosted by Parenthood 's Dax Shepard this evening in Beverly Hills, the Television Critics Association announced their award winners for 2010 as part of the annual summer press tour held twice a year by the professional organization. Among the winners: Glee, Modern Family, The Pacific, Lost, Breaking Bad , Jane Lynch, and The Good Wife 's Julianna Margulies. Glee took home the top prizes for both Program of the Year and Outstanding New Program while the FOX musical-comedy's Jane Lynch walked away with the prize for Individual Achievement in Comedy. Her counterpart on the drama side? Julianna Margulies, who walked away with the award for Individual Achievement in Drama. ABC's Modern Family was named the recipient of Outstanding Achievement in Comedy, while Lost and AMC's Breaking Bad tied for Outstanding Achievement in Drama. In the other categories, James Garner received the Career Achievement award, while the Heritage Award went to M*A*S*H

Welcome to your Friday morning television briefing. According to Entertainment Weekly 's Michael Ausiello, HBO's drama pilot Miraculous Year , from executive producer Kathryn Bigelow just got even more miraculous. The project, which is described as "an examination of a New York family as seen through the eyes of a charismatic, self-destructive Broadway composer," just signed a slew of stars to round out its cast, including former Pushing Daisies star Lee Pace, Linus Roache ( Law & Order ), and Stark Sands ( Generation Kill )... who will join the already high-wattage cast of Eddie Redmayne, Hope Davis, Frank Langella, and Patti LuPone. ( Entertainment Weekly 's Ausiello Files ) E! Online's Megan Masters spoke to former Lost showrunners Damon Lindelof and Carlton Cuse about the ABC drama's Emmy nominations now that the series has wrapped up its six-season run... and why they chose to break their radio silence. "Every year after the finale we'v

It's that time of year again: Emmy nominations. Modern Family 's Sofia Vergara and Community 's Joel McHale were on hand bright and early this morning to announce the Primetime Emmy Award nominations. (I stayed home to watch E! Online's stream of the press conference rather than drive over there bleary-eyed and unable to conceal my frustration about overlooked performances and series in person.) While Vergara ultimately walked away with a nomination for supporting actress for Modern Family (as did most of her co-stars, in fact), McHale was sadly shut out of the nominations, as was Community , a real slap in the face (along with that for Parks and Recreation ) considering that Community and Parks were both streets ahead of The Office and 30 Rock this season. Grr. So which series did the best overall? HBO's The Pacific walked away with an impressive 24 nominations, followed closely by FOX's Glee at 19 nods, AMC's Mad Men at 17, and 15 nominations