[Televisionary]

From Breaking Bad ’s stevia packet to Girls ’ Q-tip, here are some of the pivotal objects that sum up scripted television in 2013. SPOILER ALERT for a ton of shows if you’re not caught up. You’ve been warned. At BuzzFeed, you can read my latest feature, "12 Objects That Defined The Year In Television," in which I look at the 12 objects that roughly define 2013 in scripted television, from a Q-tip on Girls and a Sharpie on Homeland to an automobile on Downton Abbey and that Cytron card on Scandal . 1. This Q-tip. Where It Appeared: Girls What It Was: A seemingly innocuous Q-Tip, used repeatedly by Hannah (Lena Dunham), whose OCD was quickly spiraling out of control, to clean out her ears. But she inserted it too deeply into her inner ear canal. What It Did: It punctured her eardrum (“I heard hissing,” she later said), leading Hannah to seek medical attention at the hospital. What It Meant: That Hannah had truly hit rock bottom with her psychological condition

Showtime’s espionage thriller wrapped up its third season and much of its overall narrative. So where can the show possibly go in Season 4? WARNING: SPOILERS AHEAD. At BuzzFeed, you can read my latest feature, "Where Can Homeland Go From Here?" in which I look at the third season finale of Showtime's Homeland and where the show could possibly go from here. (Answer: wherever it does, I likely won't be watching as I'm fatigued with this show at this point.) With Sunday’s season finale of Homeland (“The Star”), Showtime’s espionage thriller seemed to fold inwards upon itself, offering up a 20-minute epilogue that felt very much like a conclusion for the series, an alternately intelligent and deeply frustrating drama, depending where in its overall narrative you were at any given time. (It was, however, renewed for a fourth season earlier this year.) In its often maddening and meandering third season, Homeland found Carrie (Claire Danes) pretending to be on

Who is the real Carrie Mathison? I explore the thematic overlaps between two female spies now stealing our collective attention: Claire Danes’s character on Homeland and Jessica Chastain’s Maya in Zero Dark Thirty . WARNING: the following contains plot details from the latest episode of Homeland . If you are not up to date, read at your own peril. Over at The Daily Beast, you can read my latest feature, "Is This The Real Carrie Mathison?," in which I compare the similarities and thematic overlaps between Homeland 's Carrie (Claire Danes) and Jessica Chastain's pseudonymous CIA agent "Maya" in Kathryn Bigelow's upcoming Osama bin Laden manhunt film Zero Dark Thirty , out December 19th in New York and Los Angeles. “We fight with what we have.” On the most recent episode of Showtime’s byzantine terrorism thriller Homeland, Carrie Mathison, the damaged, disgraced, bipolar CIA analyst played by Emmy-winner Claire Danes, finally came face-to-face with

Set your DVRs! I review Season Two of Showtime’s Homeland and Season Four of CBS’s The Good Wife , finding common ground in their deft and subtle explorations of identity. At The Daily Beast, you can read my latest feature, "TV's Kick-Ass Women Return," in which I review Season Two of Homeland and Season Four of The Good Wife , tracing the way that both shows explore their characters' shifting identities. In the season opener of Homeland, which airs on Sunday, Claire Danes’s Carrie Mathison smiles. If you’ve been watching Showtime’s Homeland, the newly crowned winner of the Emmy Award for Best Drama, this seems entirely contrary to her character, a bipolar and deeply disgraced CIA officer who underwent electroconvulsive therapy in the first season finale. Carrie isn’t prone to happiness: she has been misunderstood, mocked, and kicked out of the intelligence community. For all of that, Carrie was also right that Sergeant Nicholas Brody (Emmy Award winner Damia

Mad Men is triumphant no more. I examine Showtime’s superlative terrorist thriller Homeland , which took home the Emmy for best drama Sunday. Over at The Daily Beast, you can read my latest feature, " Homeland Sweeps the Emmys: Why Showtime’s Thriller Exploded," in which I take a look at Homeland 's victory at the Primetime Emmy Awards last night and look at why the premium cable drama toppled Mad Men . Not only did Mad Men not win the Emmy Award for best drama, the AMC period drama went home empty-handed Sunday, leaving the 64th Annual Primetime Emmy Awards with not a single statuette in its possession. In the weeks leading up to the awards telecast, Mad Men seemed very much like a sure thing: it had won four of the four times it was eligible for Best Drama, and the odds seemed very much in its favor once more. In fact, Showtime’s Homeland—the taut psychological drama that also nabbed best-actor and -actress awards for Damian Lewis and Claire Danes—had cooled in

The race for the Emmy Awards’ top drama prize is fierce (hello, Downton !). Over at The Daily Beast, you can read my latest feature, "Best Drama Race: Will Mad Men Make History?" in which I assess the field to see whether Mad Men will make history with a fifth win. Can Mad Men could do the impossible on Sunday and win a fifth Emmy Award for Best Drama? After walking away with the statuette four years in a row, all eyes are on AMC’s Emmy darling, which could make history with a five-time win. Currently, Mad Men shares the record for most Best Drama wins with such notable programs as Hill Street Blues, The West Wing, and L.A. Law, all of which were crowned victors four times. But a win at Sunday’s 64th Annual Primetime Emmy Awards would make Mad Men the undisputed drama record-holder, no small feat for a show that is about to go into its sixth season—reportedly the show’s penultimate—and whose loyal viewers are considerably dwarfed by HBO’s and Showtime’s entries. Ma

With Showtime’s recent dramas Homeland and Shameless , characters with bipolar disorder on television are no longer on the fringes. Over at The Daily Beast, you can read my latest feature, "TV Tackles Bipolar Disorder," in which I explore the portrayals of Carrie Mathison and Monica Gallagher, played by Claire Danes and Chloe Webb, as individuals with bipolar disorder and how those realistic and nuanced portrayals both shape their respective series but also help to remove the stigma associated with mental illness. I talk to Homeland co-creator Alex Gansa about Carrie's illness and how her decision to turn to ECT will affect Season Two (beginning in September) and with Shameless writer/producer Etan Frankel about the handling of Monica and how her condition has molded the Gallagher family. On Homeland, Claire Danes’ Carrie Mathison is a brilliant and ambitious CIA analyst, gifted with a beautiful mind that sees connections and hidden patterns that others around her

At The Daily Beast, it's finally time for my Best and Worst TV Shows of 2011 list: with 10 shows up for recognition as the best (including Justified, Homeland, Downton Abbey, Community, Parks and Recreation, Game of Thrones, The Good Wife , and more) and five for worst of 2011. (Plus, you can also compare my Best/Worst picks to my colleague Maria Elena Fernandez's.) Head over to The Daily Beast to read my latest feature, " Homeland, Justified, Downton Abbey and More: The Best and Worst TV Shows of 2011," which--as the title indicates--rounds up the best and worst television that 2011 had to offer. Warning: the story may contain spoilers if you are not entirely caught up on the shows discussed here. What is your take on our lists? Did your favorite/least favorite shows make the cut? Head to the comments section to discuss and debate.

I'm puzzled by how polarizing the season finale ("Marine One") of Showtime's Homeland ended up being, with viewers on one side or the other about just how effective--and believable--the climax of the espionage drama was last night. Personally, I thought it was powerful, heartbreaking, and superlative, filled with emotional resonance and an aura of tragedy hovering uneasily over everyone, particularly the now-tragic figure of Cassandra-like Carrie Mathison (Claire Danes), whose portents of doom fell onto deaf ears. It's Carrie who saves the lives of the Vice President and his cabinet as well as that of Nicholas Brody (Damian Lewis), but her instability is used as a weapon against her. In essence, she saves the world, but is denied the knowledge that she's done so. Her breakdown in the final third of the episode isn't just a mental one, but that of communication as well as self-worth. Carrie's entire persona is based on a laser-like precision of the

With the 2011-12 television season in full swing and the cancellation orders stacking up, Jace Lacob rounds up the season’s winners ( Revenge ! Homeland !), losers ( Man Up! Whitney! ), and draws. Over at The Daily Beast, you can read my latest story, "Fall TV Report Card: The Winners and Losers," in which I offer up not a critic's list, or a Best of 2011 TV list, but a business story selecting the winners and losers (as well as draws) for the first half of the 2011-12 television season. (Those selections are in the gallery.) With the 2011-12 television season well underway, it’s become increasingly clear that this isn’t the best fall the broadcasters have ever had. Back in May, when the networks touted their new offerings to advertisers, it appeared they were trying to take some risks with their programming. But the opposite is true: most of those shows featured what the networks hoped were built-in audiences for retro brand settings ( Pan Am ! The Playboy Club !)

There is no room for argument: Showtime’s provocative and gut-wrenching psychological thriller Homeland is the best new show of the season. Revolving around two very unreliable narrators engaged in a series of riveting mind games, Homeland explores an America 10 years after 9/11, surveying the damage done to both the national psyche and the central protagonists. Claire Danes plays Carrie Mathison, a CIA operative with both a mental illness and a troubling sense of personal guilt that she missed crucial intelligence prior to the Sept. 11 attacks; Damian Lewis (Life) plays soldier Nicholas Brody, a prisoner of war who returns home to a family that long thought him dead, and who may or may not have been turned into an enemy of the state during his eight-year captivity in Iraq. Over at The Daily Beast, you can read my latest feature, entitled "Showtime's Homeland : The Best New Show of the Season," in which I talk to the show's co-creators Alex Gansa and Howard Gor

The fall television season is now upon us, and the offerings seem pretty underwhelming for the most part. From must-watch entries like A Gifted Man, Revenge, Homeland , and Pan Am to the better-forgotten Terra Nova , I Hate My Teenage Daughter , Man Up! , and Grimm , I break down which new shows you should be watching this fall and which will have you running from the room, in my latest feature at The Daily Beast, "TV to Watch (and Skip) This Fall." What will you be watching this fall? And what are you skipping altogether? Head to the comments section to discuss.

Former producer David Nevins stunned many Hollywood insiders when he announced that he was stepping down from his role at Imagine Television and taking the top job at Showtime, recently vacated by Robert Greenblatt. Now five months into his term at Showtime, I sit down with Nevins over lunch in a new feature at The Daily Beast, entitled "Showtime's New Mastermind, David Nevins," in which he tells me about his “girly taste in television,” and why it’s “fun to be naughty” as a programmer. We also discuss what's coming up for the network, what's in development (Damian Lewis/Claire Danes psychological drama Homeland, House of Lies , starring Don Cheadle), the challenges and opportunities facing Showtime, which is on a growth trend, and, um, selling Time Life books over the phone.