[Televisionary]

HBO's stranger-than-fiction true crime documentary The Jinx   — about real estate heir Robert Durst — brings the chills and thrills missing since Serial   wrapped up its first season. Serial   obsessives: HBO's latest documentary series is exactly what you've been waiting for.   The Jinx: The Life and Deaths of Robert Durst , like Sarah Koenig's beloved podcast, sifts through old documents, finds new leads from fresh interviews, and seeks to determine just what happened on a fateful day in which the most foul murder was committed. And, also like  Serial  before it,  The Jinx may also hold no ultimate answer to innocence or guilt. But that seems almost beside the point; such investigations often remain murky and unclear, and guilt is not so easy a thing to be judged. Instead, this upcoming six-part tantalizing murder mystery, from director Andrew Jarecki ( Capturing the Friedmans ), is a gripping true crime story that unfolds with all of the speed of a page-turner; it

The always buzzed about HBO comedy returned tonight and BuzzFeed’s Entertainment Editorial Director Jace Lacob, who’s looked forward to watching every episode of the series, and Deputy Entertainment Editor Jaimie Etkin, who’s begrudgingly watched every episode of the series, discussed the back-to-back episodes. They agreed on one thing. Maybe two. At BuzzFeed, you can read my latest feature, "A Girls Lover And Hater Debate The Season 3 Premiere," in which Jaimie Etkin and I hotly debate the two-episode third season premiere of HBO's Girls . SPOILER ALERT if you have not yet seen the Season 3 premiere of Girls ! Jaimie: I am simultaneously excited and nervous about this. My Girls rage is about to become public knowledge. I mean, I don’t have negative feels about Lena Dunham as a human or woman, but her show just makes me really frustrated. HOWEVER, I must say it was eye-opening to see how people talk to her, as exhibited by the TCA debacle last week. Dunham hand

James Gandolfini, the hulking star of HBO's acclaimed The Sopranos , has died. My piece on the legacy the actor and producer leaves behind. At The Daily Beast, you can read my latest feature, "James Gandolfini the Great," my appreciation of the late, great Sopranos star James Gandolfini, who passed away yesterday at age 51 while traveling in Italy. HBO has confirmed the unexpected death of actor and producer James Gandolfini, who passed away at age 51 while traveling in Italy. At press time, the cause of his death was unclear, with several outlets reporting a heart attack or a "sudden stroke." He was due to appear at the Taormina Film Festival in Sicily, where he was slated to paricipate in a panel discussion with director Gabriele Muccino. While Gandolfini appeared in countless film and television roles, ranging from comedies (like Armando Iannucci's wickedly skewering Washington satire In the Loop) to hard-hitting dramas like Kathryn Bigelow's

Game of Thrones may catch up with George R.R. Martin's A Song of Ice and Fire novels. So what will HBO do if the inevitable does occur? My take on the show's options. At The Daily Beast, you can read my latest post, " Game of Thrones : Will the HBO Series Catch Up to George R.R. Martin's Books?" in which I react to Entertainment Weekly's story on whether Game of Thrones will meet up with (or surpass) the progress of Martin's in-progress novels. After the horror and shock of last week's Red Wedding episode, Season 3 of Game of Thrones ended rather quietly. There were no dragons being born from ancient eggs placed upon a funeral pyre, nor white walkers marching en masse for the brothers of the Night's Watch. Instead, Daenerys Stormborn (Emilia Clarke) is raised above the shoulders of the slaves she freed from bondage and the episode ("Mhysa") more or less set up some new conflicts and story for the fourth season, which should arri

Yes, that actually did just happen. My take on the latest shocking twist on HBO’s Game of Thrones , and why the disturbing outcome of the Red Wedding was crucial for the series. Spoilers abound! At The Daily Beast, you can read my latest feature, "The Red Wedding: HBO’s Game of Thrones Reveals Its Latest Twist," in which I offer my take on this week's shocking episode of Game of Thrones ("The Rains of Castamere") and why the twist was necessary for the longevity and narrative stakes of the series. And they partook of his salt and bread. Oaths are meant to be sacred: after all, a man is only as good as his word. But a world in which oaths are meaningless and void is a terrifying place without logic, justice, or order. On this week’s episode of HBO’s Game of Thrones (“The Rains of Castamere”), we see the ramifications of breaking one’s word. Just as Robb Stark (Richard Madden) betrayed his vow to Walder Frey (David Bradley), promising to marry his daughte

He pioneered the mockumentary on film. Now Christopher Guest is bringing his latest comedy, HBO’s Family Tree , to a TV landscape crowded with the format. My take on whether he succeeds. At The Daily Beast, you can read my latest feature, " Family Tree Brings Christopher Guest’s Mockumentary Style to HBO," in which I review HBO's latest comedy, Family Tree , which begins Sunday evening, and which stars Chris O'Dowd ( The IT Crowd ) and hails from the fertile mind of co-creator Christopher Guest ( Best in Show, Waiting for Guffman, A Mighty Wind ). Over the last few decades, the mockumentary format has become almost totally synonymous with Christopher Guest, the writer/director (and often actor) best known for films such as This Is Spinal Tap, Best in Show, Waiting for Guffman, A Mighty Wind , and For Your Consideration . Each film—to varying success—mined the documentary format for laughs, setting up its eccentric characters as the butts of the joke ... or the

HBO's fantasy series Game of Thrones returns Sunday for a third season. Can’t remember the difference between a wight and a white walker? Jace Lacob's glossary explains all! (Plus, read our advance review of Season 3 .) At The Daily Beast, you can read my latest feature, " Game of Thrones Season 3 for Dummies," the third in an ongoing series that each year brings you up to speed (and reminds you of what you may have forgotten) about the people, places, and recurring motifs from the immersive HBO drama (and George R. R. Martin's massive A Song of Ice and Fire novel series), which returns Sunday, March 31. In its riveting second season, Game of Thrones —based on George R.R. Martin’s behemoth A Song of Ice and Fire series and adapted by executive producers David Benioff and D.B. Weiss—brought the war for the Iron Throne to a staggering climax with the amazing Battle of the Blackwater, a hugely dramatic set piece that found the naval forces of Stannis Barathe

Based on a 1,000-page novel, the third season of HBO’s ‘Game of Thrones’ is the best—and most complex—one we’ve seen yet. In this week's issue of Newsweek (and online at The Daily Beast), you can read my latest feature, "Here Be Dragons: Season 3 of HBO's Game of Thrones Reviewed," in which I review the first four episodes of Season 3 of HBO's Game of Thrones , which might just be the best season yet. When it launched in 2011, HBO’s fantasy drama Game of Thrones quickly became part of the global collective consciousness, an often brutally violent and staggeringly beautiful series that offered viewers an immersive television experience. Based on the gargantuan bestselling novel series A Song of Ice and Fire by George R.R. Martin, Game of Thrones depicts the bloody and vicious battle for control of the Iron Throne in the Seven Kingdoms of Westeros, a fictional world that bears a resemblance to medieval Europe ... if Europe had once been the home of magic,

This week’s episode of Girls graphically depicted the results of a male character’s climax. Why the scene has outraged some, and why it’s a watershed moment for the HBO comedy. Over at The Daily Beast, you can read my latest feature, " Girls Gets Graphic," in which I write about Girls , viewer responses, graphic content, and why THAT scene from this week's episode was a watershed moment for the Lena Dunham comedy. HBO’s Girls has always been a lightning rod for critical reaction, whether it be allegations of nepotism, privilege, or racism. It’s impossible to imagine a week going by without someone, somewhere, having an adverse reaction to the Lena Dunham-created comedy. And that’s okay: art is meant to trigger emotional responses. I’d far rather watch a television show that stirred up feelings within its viewers—that challenged them to watch something complicated and often uncomfortable—than a show whose main goal was simply to please the most people, across all

HBO’s Girls returns for a second season on Sunday night. I review the first four episodes of Season 2 of the Lena Dunham-created comedy, which "captures the quicksilver magic of Dunham at her best." Over at The Daily Beast, you can read my latest feature, " Girls : Season 2 of HBO’s Lena Dunham Comedy Soars," in which I review the first four episodes of Season 2 of HBO's Girls , the most polarizing television show of 2012. The most polarizing show of 2012 was HBO’s Girls , which revolves around the lives of four 20-something women orbiting each other in Brooklyn. The Lena Dunham–created comedy elicited a love-hate relationship with premium cable audiences. You either loved the bravery of the show, its incredible sense of voice and time, and its unrepentant navel-gazing attitude ... or you loathed it. In its first season, the show received various criticisms of racism, elitism, and, er, hipsterism. The amount of ink devoted to tearing down both Dunham and

Game of Thrones is beloved by viewers and critics alike. But the Emmy-nominated HBO fantasy drama is also a surprising favorite in the writers’ rooms of TV comedies around Hollywood. I talk to sitcom writers about why they’re obsessed with the sex-and-magic-laden drama, and how the show informs their own narratives. At The Daily Beast, you can read my latest feature, "Why Comedy Writers Love HBO's Game of Thrones, " in which I talk to writers from Parks and Recreation, Modern Family , and Community about why they love HBO's Game of Thrones, nominated for an Emmy Award for Best Drama. Fox’s upcoming sitcom The Mindy Project, created by and starring Mindy Kaling, deconstructs the romantic comedy fantasies of its lead character, an ob-gyn whose disappointment in the dating world stems from her obsessive viewing of Nora Ephron films. At the Television Critics Association Summer Press Tour in July, Kaling was candid about the role that When Harry Met Sally and oth

The race for the Emmy Awards’ top drama prize is fierce (hello, Downton !). Over at The Daily Beast, you can read my latest feature, "Best Drama Race: Will Mad Men Make History?" in which I assess the field to see whether Mad Men will make history with a fifth win. Can Mad Men could do the impossible on Sunday and win a fifth Emmy Award for Best Drama? After walking away with the statuette four years in a row, all eyes are on AMC’s Emmy darling, which could make history with a five-time win. Currently, Mad Men shares the record for most Best Drama wins with such notable programs as Hill Street Blues, The West Wing, and L.A. Law, all of which were crowned victors four times. But a win at Sunday’s 64th Annual Primetime Emmy Awards would make Mad Men the undisputed drama record-holder, no small feat for a show that is about to go into its sixth season—reportedly the show’s penultimate—and whose loyal viewers are considerably dwarfed by HBO’s and Showtime’s entries. Ma

When Mad Men 's Joan Harris (Christina Hendricks) received her indecent proposal this season on the AMC period drama, viewers were sharply divided about her actions within the controversial and polarizing episode. But Hendricks' Harris is emblematic of a larger trend within television this year: the virtual proliferation of prostitutes within scripted dramas. Over at The Daily Beast, you can read my latest feature, "TV's New Prostitute Fixation," in which I examine the sudden proliferation of prostitutes on television, from Game of Thrones and Crimson Petal to True Blood and Copper , and what may be behind the trend. On BBC America’s period drama Copper, which premiered on Sunday, the first person encountered by Kevin Corcoran, the 19th century New York City policeman played by Tom Weston-Jones, is a child prostitute who promptly offers to “pleasure” him in exchange for coin. No more than 10 years old, Copper’s Annie (Kiara Glasco) acts as a conduit t

HBO's The Newsroom transforms its female characters into hysterics and fools. In a critics’ conversation, Maureen Ryan and I dissect the woman problem embedded in Aaron Sorkin’s troubling drama. Over at The Daily Beast, you can read my latest feature, "HBO’s The Newsroom : Aaron Sorkin’s Woman Problem," a critics' conversation in which The Huffington Post's Maureen Ryan and I explore the women problem within The Newsroom . In certain circles, HBO’s latest drama, The Newsroom , from creator Aaron Sorkin ( The West Wing, The Social Network ), has been the galvanizing event of the summer, eliciting no shortage of strong responses both pro and con. In a critics’ conversation reprinted below, The Daily Beast’s Jace Lacob and the Huffington Post’s Maureen Ryan delve into the troubling issue of women within the HBO drama. MAUREEN RYAN: One of the bigger problems with The Newsroom is that so many scenes involve men setting women straight, men supervising wome

HBO’s True Blood returns on Sunday. Over at The Daily Beast, I review the first four episodes of the fifth season and ask: what happened to the vampire drama? You can read my latest feature, " True Blood Season Five: Has HBO’s Vampire Drama Lost Its Bite?" , in which I examine the first four episodes of Season Five of True Blood and write, "The first four episodes of Season Five… reflect what’s wrong with the most recent seasons of the HBO drama: they lack focus." I also explore how the lack of baseline normalcy--and the sense that everyone in Bon Temps is somehow "special"--has robbed the show of dramatic stakes. HBO’s popular True Blood has never been known as a slow-burn drama. Instead of advancing the plot minutely from episode to episode, the Southern Gothic vampire drama has, during its four seasons to date, zoomed at a breakneck speed, hurtling toward its cliffhanger ending each year at a maximum velocity. While that can rev up viewers’

Everything ends. Life, love, and even dynasties: nothing lasts forever. They all turn to dust, a charnel cloud of smoke, reducing even the stones of a fortress that has stood for thousands of years to ash. Everything crumbles, everything rots, and everything eventually ends. And even this, Season Two of Game of Thrones . The season finale ("Valar Morgulis"), written by David Benioff and D. B. Weiss and directed by Alan Taylor, concluded the second season of Game of Thrones with a powerful episode that built up on the magnificent set piece of the Battle of the Blackwater that last week's episode provided. Despite the fact that, after such a momentous event, the final episode could have felt more like a denouement than a riveting installment in itself, "Valar Morgulis" instead further teased out more tension, drama, and dread, offering an ending to the season that was flooded with possibility, both of life and and of death... but ultimately of change. Whi

I wasn't all that crazy about this week's episode of Game of Thrones ("The Prince of Winterfell"), written by David Benioff and D.B. Weiss and directed by Alan Taylor, which felt more like set-up for the final two episodes of the second season, than it did a fully fledged episode of its own. Which isn't to say that there weren't any fantastic moments, because there were (the Theon/Yara scene and Tyrion/Varys exchanges being two standouts), but this week's installments was overflowing with comings and goings... and a hell of a lot of waiting around to see what would happen next. On the one hand, this is a natural function of the narrative here as preparation are being made by Stannis (Stephen Dillane) and Ser Davos (Liam Cunningham) as they prepare to lay siege to King's Landing with their formidable fleet of ships... while Tyrion (Peter Dinklage) and the small council attempt to fortify the royal city and strategize. In other words: waiting for th

At the heart of the ‘Game of Thrones’ sexposition controversy is Esmé Bianco’s Ros. At The Daily Beast, you can read my latest feature, " Game of Thrones ' Wild Card: Esmé Bianco," in which I sit down with Game of Thrones 's Bianco to talk about Ros, a character not in George R.R. Martin's novels, sexposition, nudity, THAT scene, and more. Fans of HBO’s Game of Thrones who have read the voluminous novels in George R.R. Martin’s A Song of Ice and Fire series upon which the show is based often have an edge over non-readers, given that they’re only too aware of what’s to come. But, in adapting Game of Thrones from Martin’s work, showrunners David Benioff and D.B. Weiss at times shift away from the texts to explore off-camera sequences, insert new twists and turns, and create new scenarios for the characters to face. In Season 1, Benioff and Weiss went so far to create an original character just for the show: prostitute Ros, who quickly fell into bed with se

"You can't tame a wild thing. You can't trust a wild thing... Wild creatures have their own rules, their own reasons, and you'll never know them." This week's breathtaking episode of Game of Thrones ("The Old Gods and the New"), written by Vanessa Taylor and directed by David Nutter, is easily my favorite episode of the season to date, not least of which is because it departs significantly from George R.R. Martin's novel. While this may alarm some purists, the ability to inject surprise and shock in even the most knowledgeable readers is something to celebrate here; it raises the stakes significantly and allows writers like Taylor (who, it must be said, is delivering truly fantastic work) and David Benioff and Dan Weiss flexibility when it comes to crafting the story. Too often in adaptations, it's impossible to take meaningful detours on the way to their respective stories' ultimate destinations. Here such detours should be held up