[Televisionary]

From Breaking Bad ’s stevia packet to Girls ’ Q-tip, here are some of the pivotal objects that sum up scripted television in 2013. SPOILER ALERT for a ton of shows if you’re not caught up. You’ve been warned. At BuzzFeed, you can read my latest feature, "12 Objects That Defined The Year In Television," in which I look at the 12 objects that roughly define 2013 in scripted television, from a Q-tip on Girls and a Sharpie on Homeland to an automobile on Downton Abbey and that Cytron card on Scandal . 1. This Q-tip. Where It Appeared: Girls What It Was: A seemingly innocuous Q-Tip, used repeatedly by Hannah (Lena Dunham), whose OCD was quickly spiraling out of control, to clean out her ears. But she inserted it too deeply into her inner ear canal. What It Did: It punctured her eardrum (“I heard hissing,” she later said), leading Hannah to seek medical attention at the hospital. What It Meant: That Hannah had truly hit rock bottom with her psychological condition

Game of Thrones may catch up with George R.R. Martin's A Song of Ice and Fire novels. So what will HBO do if the inevitable does occur? My take on the show's options. At The Daily Beast, you can read my latest post, " Game of Thrones : Will the HBO Series Catch Up to George R.R. Martin's Books?" in which I react to Entertainment Weekly's story on whether Game of Thrones will meet up with (or surpass) the progress of Martin's in-progress novels. After the horror and shock of last week's Red Wedding episode, Season 3 of Game of Thrones ended rather quietly. There were no dragons being born from ancient eggs placed upon a funeral pyre, nor white walkers marching en masse for the brothers of the Night's Watch. Instead, Daenerys Stormborn (Emilia Clarke) is raised above the shoulders of the slaves she freed from bondage and the episode ("Mhysa") more or less set up some new conflicts and story for the fourth season, which should arri

Yes, that actually did just happen. My take on the latest shocking twist on HBO’s Game of Thrones , and why the disturbing outcome of the Red Wedding was crucial for the series. Spoilers abound! At The Daily Beast, you can read my latest feature, "The Red Wedding: HBO’s Game of Thrones Reveals Its Latest Twist," in which I offer my take on this week's shocking episode of Game of Thrones ("The Rains of Castamere") and why the twist was necessary for the longevity and narrative stakes of the series. And they partook of his salt and bread. Oaths are meant to be sacred: after all, a man is only as good as his word. But a world in which oaths are meaningless and void is a terrifying place without logic, justice, or order. On this week’s episode of HBO’s Game of Thrones (“The Rains of Castamere”), we see the ramifications of breaking one’s word. Just as Robb Stark (Richard Madden) betrayed his vow to Walder Frey (David Bradley), promising to marry his daughte

HBO's fantasy series Game of Thrones returns Sunday for a third season. Can’t remember the difference between a wight and a white walker? Jace Lacob's glossary explains all! (Plus, read our advance review of Season 3 .) At The Daily Beast, you can read my latest feature, " Game of Thrones Season 3 for Dummies," the third in an ongoing series that each year brings you up to speed (and reminds you of what you may have forgotten) about the people, places, and recurring motifs from the immersive HBO drama (and George R. R. Martin's massive A Song of Ice and Fire novel series), which returns Sunday, March 31. In its riveting second season, Game of Thrones —based on George R.R. Martin’s behemoth A Song of Ice and Fire series and adapted by executive producers David Benioff and D.B. Weiss—brought the war for the Iron Throne to a staggering climax with the amazing Battle of the Blackwater, a hugely dramatic set piece that found the naval forces of Stannis Barathe

Based on a 1,000-page novel, the third season of HBO’s ‘Game of Thrones’ is the best—and most complex—one we’ve seen yet. In this week's issue of Newsweek (and online at The Daily Beast), you can read my latest feature, "Here Be Dragons: Season 3 of HBO's Game of Thrones Reviewed," in which I review the first four episodes of Season 3 of HBO's Game of Thrones , which might just be the best season yet. When it launched in 2011, HBO’s fantasy drama Game of Thrones quickly became part of the global collective consciousness, an often brutally violent and staggeringly beautiful series that offered viewers an immersive television experience. Based on the gargantuan bestselling novel series A Song of Ice and Fire by George R.R. Martin, Game of Thrones depicts the bloody and vicious battle for control of the Iron Throne in the Seven Kingdoms of Westeros, a fictional world that bears a resemblance to medieval Europe ... if Europe had once been the home of magic,

How to choose from the slew of content about to hit the airwaves? From miniseries (Jane Campion’s Top of the Lake ) to returning favorites ( Game of Thrones ) and new offerings ( Rectify ), I makes my picks for what's worth watching on television this spring. Over at The Daily Beast, you can read my latest feature, " Game of Thrones, Mad Men, Bates Motel : 15 Shows Worth Watching This Spring," in which I offer up 15 television shows to check out in the coming months, from the tried-and-true to those off the beaten path. With the promise of warmer weather just around the corner, a slew of new and returning television shows are hitting the airwaves. HBO welcomes back Game of Thrones on March 31, AMC travels back in time for another season of Mad Men on April 7, and Sundance Channel offers two spellbinding new original dramas: Top of the Lake , a mystery series from co-creator Jane Campion, and Rectify , a searing drama that looks at what life is like after being rele

Stay cozy this New Year: I find the 18 new and returning television shows that will keep you warm this winter, from Girls and Justified to The Staircase, The Americans , and House of Cards . Over at The Daily Beast, you can read my latest feature, "18 Shows to Watch This Winter," in which I round up 18 new and returning noteworthy shows that you should be watching between January and March. Some you're looking forward to, some you may not have heard of, and there are a few that you've already drawn a big red circle on the calendar on the day that they return... Yes, Downton Abbey is back: the beloved British period drama returns to PBS’s Masterpiece for a third season beginning on Jan. 6, but it’s not the only new or noteworthy show heading to television this winter. Indeed, some of the most intriguing, dynamic, or plain interesting shows are launching in midseason this year, from Fox’s serial killer drama The Following and Sundance Channel’s Jane Campion-c

Game of Thrones is beloved by viewers and critics alike. But the Emmy-nominated HBO fantasy drama is also a surprising favorite in the writers’ rooms of TV comedies around Hollywood. I talk to sitcom writers about why they’re obsessed with the sex-and-magic-laden drama, and how the show informs their own narratives. At The Daily Beast, you can read my latest feature, "Why Comedy Writers Love HBO's Game of Thrones, " in which I talk to writers from Parks and Recreation, Modern Family , and Community about why they love HBO's Game of Thrones, nominated for an Emmy Award for Best Drama. Fox’s upcoming sitcom The Mindy Project, created by and starring Mindy Kaling, deconstructs the romantic comedy fantasies of its lead character, an ob-gyn whose disappointment in the dating world stems from her obsessive viewing of Nora Ephron films. At the Television Critics Association Summer Press Tour in July, Kaling was candid about the role that When Harry Met Sally and oth

The race for the Emmy Awards’ top drama prize is fierce (hello, Downton !). Over at The Daily Beast, you can read my latest feature, "Best Drama Race: Will Mad Men Make History?" in which I assess the field to see whether Mad Men will make history with a fifth win. Can Mad Men could do the impossible on Sunday and win a fifth Emmy Award for Best Drama? After walking away with the statuette four years in a row, all eyes are on AMC’s Emmy darling, which could make history with a five-time win. Currently, Mad Men shares the record for most Best Drama wins with such notable programs as Hill Street Blues, The West Wing, and L.A. Law, all of which were crowned victors four times. But a win at Sunday’s 64th Annual Primetime Emmy Awards would make Mad Men the undisputed drama record-holder, no small feat for a show that is about to go into its sixth season—reportedly the show’s penultimate—and whose loyal viewers are considerably dwarfed by HBO’s and Showtime’s entries. Ma

When Mad Men 's Joan Harris (Christina Hendricks) received her indecent proposal this season on the AMC period drama, viewers were sharply divided about her actions within the controversial and polarizing episode. But Hendricks' Harris is emblematic of a larger trend within television this year: the virtual proliferation of prostitutes within scripted dramas. Over at The Daily Beast, you can read my latest feature, "TV's New Prostitute Fixation," in which I examine the sudden proliferation of prostitutes on television, from Game of Thrones and Crimson Petal to True Blood and Copper , and what may be behind the trend. On BBC America’s period drama Copper, which premiered on Sunday, the first person encountered by Kevin Corcoran, the 19th century New York City policeman played by Tom Weston-Jones, is a child prostitute who promptly offers to “pleasure” him in exchange for coin. No more than 10 years old, Copper’s Annie (Kiara Glasco) acts as a conduit t

The nominations are out: Homeland, Downtown Abbey , and Girls get their shot at the awards, while The Good Wife, Community, Louie, Justified , and many others are shut out. Over at The Daily Beast, you can read my latest feature, "2012 Emmy Nomination Snubs & Surprises," in which I discuss which shows and actors were snubbed by the TV Academy as well as a few surprise nominations. Plus, view our gallery of the nominees . The Television Academy has today announced its nominations for the 64th Primetime Emmy Awards and, looking at the list, you may be forgiven for thinking that every single member of the casts of Downton Abbey and Modern Family had walked away with nominations. (It just seems that way.) AMC’s Mad Men and FX’s American Horror Story tied for the most nominations, with 17 apiece, while PBS’ cultural phenomenon Downton Abbey—which shifted from the miniseries category into Best Drama this year—grabbed 16 nominations (tying with History’s Hatfields &

Everything ends. Life, love, and even dynasties: nothing lasts forever. They all turn to dust, a charnel cloud of smoke, reducing even the stones of a fortress that has stood for thousands of years to ash. Everything crumbles, everything rots, and everything eventually ends. And even this, Season Two of Game of Thrones . The season finale ("Valar Morgulis"), written by David Benioff and D. B. Weiss and directed by Alan Taylor, concluded the second season of Game of Thrones with a powerful episode that built up on the magnificent set piece of the Battle of the Blackwater that last week's episode provided. Despite the fact that, after such a momentous event, the final episode could have felt more like a denouement than a riveting installment in itself, "Valar Morgulis" instead further teased out more tension, drama, and dread, offering an ending to the season that was flooded with possibility, both of life and and of death... but ultimately of change. Whi

I wasn't all that crazy about this week's episode of Game of Thrones ("The Prince of Winterfell"), written by David Benioff and D.B. Weiss and directed by Alan Taylor, which felt more like set-up for the final two episodes of the second season, than it did a fully fledged episode of its own. Which isn't to say that there weren't any fantastic moments, because there were (the Theon/Yara scene and Tyrion/Varys exchanges being two standouts), but this week's installments was overflowing with comings and goings... and a hell of a lot of waiting around to see what would happen next. On the one hand, this is a natural function of the narrative here as preparation are being made by Stannis (Stephen Dillane) and Ser Davos (Liam Cunningham) as they prepare to lay siege to King's Landing with their formidable fleet of ships... while Tyrion (Peter Dinklage) and the small council attempt to fortify the royal city and strategize. In other words: waiting for th

At the heart of the ‘Game of Thrones’ sexposition controversy is Esmé Bianco’s Ros. At The Daily Beast, you can read my latest feature, " Game of Thrones ' Wild Card: Esmé Bianco," in which I sit down with Game of Thrones 's Bianco to talk about Ros, a character not in George R.R. Martin's novels, sexposition, nudity, THAT scene, and more. Fans of HBO’s Game of Thrones who have read the voluminous novels in George R.R. Martin’s A Song of Ice and Fire series upon which the show is based often have an edge over non-readers, given that they’re only too aware of what’s to come. But, in adapting Game of Thrones from Martin’s work, showrunners David Benioff and D.B. Weiss at times shift away from the texts to explore off-camera sequences, insert new twists and turns, and create new scenarios for the characters to face. In Season 1, Benioff and Weiss went so far to create an original character just for the show: prostitute Ros, who quickly fell into bed with se

"You can't tame a wild thing. You can't trust a wild thing... Wild creatures have their own rules, their own reasons, and you'll never know them." This week's breathtaking episode of Game of Thrones ("The Old Gods and the New"), written by Vanessa Taylor and directed by David Nutter, is easily my favorite episode of the season to date, not least of which is because it departs significantly from George R.R. Martin's novel. While this may alarm some purists, the ability to inject surprise and shock in even the most knowledgeable readers is something to celebrate here; it raises the stakes significantly and allows writers like Taylor (who, it must be said, is delivering truly fantastic work) and David Benioff and Dan Weiss flexibility when it comes to crafting the story. Too often in adaptations, it's impossible to take meaningful detours on the way to their respective stories' ultimate destinations. Here such detours should be held up

"Hard truths cut both ways..." These words, uttered by Stannis Baratheon (Stephen Dillane), are brimming with power and potency and an absolute truth of their own: the hardest truths are the ones that cut us the deepest, that remind us that our perceptions are faulty or our world is off-kilter, that serve to wake us up to some reality heretofore unseen or unrealized. And, yes, the sharpness of the hardest truths--as fine-edged as a Valyrian dagger--can cut more than just the utterer to the quick. In the case of Stannis and his Onion Knight, Ser Davos Seaworth (Liam Cunningham), the reality of their situation injures them both. As Davos tries to demonstrate his loyalty to his king by sharing his concerns about Melisandre (Carice van Houten), it's Stannis who takes umbrage at his comments, refusing to discuss just what happened in the cave (see last week's review ), refusing the acknowledge the inherent truth of what Davos is saying. ("I've never known you