[Televisionary]

Mindy Kaling’s single-camera comedy is not only hitting all of its marks in its second season, it’s surpassing them… and leaving New Girl in its wake. At BuzzFeed, you can read my latest feature, "Why The Mindy Project Is No Longer A Work In Progress, But Perfection," in which I write about why The Mindy Project is perfect (and what Fox's New Girl could learn from it these days). The noticeable creative decline of Fox’s once-sterling comedy New Girl — which this season has offered some head-scratching plot developments (who exactly was calling for the full-time return of Coach?) and a dearth of actual comedy — has had a unintentional silver lining of sorts. It’s allowed the show’s winsome timeslot companion The Mindy Project — created by and starring Mindy Kaling — its own opportunity to shine. And, let’s be honest: The Mindy Project is currently glowing with the white-hot intensity of a thousand suns. Season 2 of this sharp comedy has continued with the stre

The broadcast network upfront presentations are over. Jace Lacob on the 51 new scripted shows heading to television next season. What will you watch? At The Daily Beast, you can read my final upfronts post, "2013 TV Upfronts Wrap-Up: Bring On the New Television Shows," in which I wrap up our broadcast network upfronts coverage and take a look at the 51 new scripted series heading to ABC Television Network, CBS, NBC, FOX, and The CW for the 2013-14 season. The upfront presentations are (finally) over. Now that the dust has settled, it's easier to get a larger picture of what's going on for next season. The numbers: 51 scripted series have been ordered by the broadcast networks for the 2013–14 season. There are 29 new dramas for next season and 22 comedies. Thirty-one shows will launch in the fall, and 20 are being held for a later date, should some of the fall offerings fail to enflame the public's imagination. On the network level, ABC picked up 12 new sc

Fox has revealed its 2013-14 primetime schedule. My take on the changes afoot at the broadcast network next season, including the launch of 24: Live Another Day . Over at The Daily Beast, you can read my latest feature, "Fox Unveils 2013-14 Schedule: 24 Returns, Sleepy Hollow and Almost Human to Mondays," which includes full details on FOX's 2013-14 primetime schedule, including comments from Kevin Reilly on the return of 24  and much more. On Monday morning, Fox unveiled its primetime schedule for the 2013-14 season, which included several changes to its current lineup and the confirmation of rumors that 24 will be returning to the network. Fox Entertainment Chairman Kevin Reilly confirmed the news earlier today on a conference call with members of the press. 24 will return in early May as tentpole event drama 24: Live Another Day, which will "arc through the summer." Speaking on behalf of 24 executive producer Howard Gordon, Reilly said that Gordon

With the broadcast networks' upfront presentations less than a week away, I look at what new television shows the broadcast networks have ordered for the 2013-14 season. At The Daily Beast, you can read my latest feature, "Bring On the New Shows!" in which I start to round up what new television shows the broadcast networks have ordered so far for the 2013-14 season. (It will continue to be updated with each new series order over the next week.) It's that time of year again! I take a look at the new series that are coming to television next season, as the broadcast network upfront presentations get underway next week. The orders started coming in late Thursday night. Fox has so far ordered four comedies and four dramas, including: J.J. Abrams' futuristic police drama Almost Human; Sleepy Hollow, a modern day update of Washington Irving's classic thriller; cop drama Gang Related, which will star Lost's Terry O'Quinn and RZA; and legal drama Rake,

Is your favorite show safe? I take a look at what’s on tap for the broadcast networks for the 2013-14 season, which shows are coming back, and which ones have gotten the axe. At The Daily Beast, you can read my latest feature, "TV Upfronts 2013: NBC, ABC, CBS, Fox, and The CW By the Numbers," in which I offer a running total (which will be updated throughout the next week) at all the broadcast network shows that have been renewed, ordered, and cancelled as we move into upfront presentations week for the broadcast networks. Every May, advertisers and members of the press descend on New York City as the broadcast networks host their annual upfront presentations, where they will unveil their fall schedules, trot out talent, and announce which shows will be coming back next season and which ones won’t. The Daily Beast will be reporting on every move being made by ABC, CBS, Fox, NBC, and The CW as they prepare to launch their 2013-2014 schedules. As the week wears on, The

Game of Thrones is beloved by viewers and critics alike. But the Emmy-nominated HBO fantasy drama is also a surprising favorite in the writers’ rooms of TV comedies around Hollywood. I talk to sitcom writers about why they’re obsessed with the sex-and-magic-laden drama, and how the show informs their own narratives. At The Daily Beast, you can read my latest feature, "Why Comedy Writers Love HBO's Game of Thrones, " in which I talk to writers from Parks and Recreation, Modern Family , and Community about why they love HBO's Game of Thrones, nominated for an Emmy Award for Best Drama. Fox’s upcoming sitcom The Mindy Project, created by and starring Mindy Kaling, deconstructs the romantic comedy fantasies of its lead character, an ob-gyn whose disappointment in the dating world stems from her obsessive viewing of Nora Ephron films. At the Television Critics Association Summer Press Tour in July, Kaling was candid about the role that When Harry Met Sally and oth

The fall television season is here! But which shows should you be watching and which should you skip? I'm glad you asked. Over at The Daily Beast, you can read my latest feature, "Fall TV 2012 Preview: 7 Shows to Watch, 7 Shows to Skip," in which I offer my take on the upcoming fall season, with seven shows you should be watching (from ABC's Nashville to PBS' Call the Midwife ) and those you should be snubbing ( Partners, The Neighbors ). The fall television season is once again upon us, and overall the results are pretty depressing: there’s a decided lack of originality to much of the broadcast networks’ new offerings, as if they were somehow injured by the lack of interest in last year’s riskier programs. In fact, there is a whole lot of formulaic fare coming to your televisions, and a ton of new (mostly awful) comedies this year. But fret not: it’s not all doom and gloom, as there are at least a few promising new shows on the horizon, from the Connie Br

Will the 2012-13 television season be a success or a snooze? Over at The Daily Beast, Maria Elena Fernandez and I offer our first impressions of 30-plus network pilots—from The Following and Nashville to The Neighbors and Zero Hour (and everything in between)—coming to TV next season. Head over to The Daily Beast to read my latest feature, "TV Preview: Snap Judgments of 2012-13’s New Shows," in which we offer our dueling he said/she said perspectives on all of the available broadcast network pilots. While some of you may have jetted off on summer vacations in the last few weeks, we’ve spent the first part of the summer wading through pilots for more than 30 new scripted shows that likely will be on the air next TV season. (Sometimes networks change their minds, and, if we’re honest, there are a few shows we’d love to see disappear altogether.) It was a Herculean feat to make it through the pile of screeners this year—it was not overall the best pilot season—to offe

Over at The Daily Beast, we're keeping you up-to-date with all of the news, renewals, cancellations, and series orders coming out of this week's broadcast network upfronts. You can read our Network Scorecard , which keeps track of all of the renewals and cancelations as well as reactions to the scheduling changes and check out video promos for all of the networks' new shows. And you can read detailed descriptions--as well as insider information--about all of the new series heading to your television in the fall and spring. Jace Lacob and Maria Elena Fernandez take a look at what’s coming up and what’s coming back on TV this fall as television's network upfronts week comes to a close. The CW moved Supernatural to Wednesdays, ordered five new shows, renewed Hart of Dixie, and canceled Secret Circle and Ringer. CBS moved Two and a Half Men to Thursdays and The Mentalist to Sundays, while The Good Wife is staying put. ABC renewed Revenge (moving it to Sundays at 9 p.m.

As the first season of Fox’s breakout comedy New Girl comes to a close, creator Liz Meriwether talks to me about the blowback over star Zooey Deschanel and her character Jess’s “adorkable” qualities, the show's handling of sexuality, and girl-on-girl snark. Over at The Daily Beast, you can read my latest feature, "The Woman Behind New Girl ," in which I sit down with New Girl creator Liz Meriwether to discuss the show's first season as a whole, reactions to Jess and her "adorkable" qualities, the show's handling of sexuality, girl-on-girl snark (particularly surrounding New Girl and Girls ), and more. One of the few comedy hits of the season, Fox’s New Girl, wraps its first season Tuesday night. Created by Elizabeth Meriwether (No Strings Attached), New Girl revolves around a socially awkward teacher, Jess (Zooey Deschanel), who—after discovering her boyfriend has cheated on her—moves in with three guys (Max Greenfield, Lamorne Morris, and Ja

With the broadcast networks about to unveil their new lineups, I pick my favorite drama pilot scripts—from psychological thriller Mastermind to period drama Ralph Lamb . Over at The Daily Beast, you can read my latest feature, "The 13 Best Drama Pilot Scripts of 2012," in which I offer my takes on the best and brightest offerings at CBS, ABC, NBC, Fox, and the CW when it comes to their drama pilot scripts. At the network upfronts the week of May 14—when broadcasters unveil their fall schedules along with new programming and glad-hand with advertisers amid a series of presentations and parties—broadcasters will reveal the shows that might end up on your TiVo’s Season Pass in the fall. This year, nearly 90 pilots are battling for slots on the schedules of CBS, ABC, NBC, Fox, and the CW, all of which are desperate to replace aging hits and find those few breakout shows. This year’s crop is especially heavy on the supernatural, imported formats (especially from Israel),

With the 2011-12 television season in full swing and the cancellation orders stacking up, Jace Lacob rounds up the season’s winners ( Revenge ! Homeland !), losers ( Man Up! Whitney! ), and draws. Over at The Daily Beast, you can read my latest story, "Fall TV Report Card: The Winners and Losers," in which I offer up not a critic's list, or a Best of 2011 TV list, but a business story selecting the winners and losers (as well as draws) for the first half of the 2011-12 television season. (Those selections are in the gallery.) With the 2011-12 television season well underway, it’s become increasingly clear that this isn’t the best fall the broadcasters have ever had. Back in May, when the networks touted their new offerings to advertisers, it appeared they were trying to take some risks with their programming. But the opposite is true: most of those shows featured what the networks hoped were built-in audiences for retro brand settings ( Pan Am ! The Playboy Club !)

Try as you might, there are some marks that can never be scrubbed out entirely. There are some people who leave an indelible impression on our souls which remains long after they've gone, an afterimage burned onto our retinas, an echo of a cry for help, a sigh, a plaintive wail, or a whispered declaration of love. Within the world of Fringe , Peter Bishop no longer exists. We saw him blink out of existence at the end of the third season finale, flickering before our eyes as two universes forgot all about him. Nature, of course, abhors a vacuum, so time and space rush to fill the void left behind when an item is plucked out of the timestream. What does all of this have to do with Season Four of Fringe ? I'm glad you asked. ( PLEASE DO NOT REPRODUCE THIS REVIEW IN FULL ON ANY WEBSITES, BLOGS, MESSAGE BOARDS, OR SIMILAR. ) The season opener ("Neither Here Nor There") contains a rather ordinary procedural plot, but it also reintroduces us to the two universes, and to

Time to head back to the couch, America. The fall TV season is here and all of your favorite shows—from The Walking Dead and The Good Wife to Dexter and Boardwalk Empire —and a slew of new ones are soon heading to a TV set near you. Will you find Ringer to be the second coming of Sarah Michelle Gellar… or is it the second coming of Silk Stalkings ? Time will tell, but at least your TV favorites are back with brand new seasons, and lots of plot twists. To refresh your memory after the long summer, over at The Daily Beast, you can read my latest feature, entitled "The Fall TV Season Begins!," in which Maria Elena Fernandez and I round up a guide to the good and bad times of last season--or in this case, 23 cliffhangers--and offer a peek into what’s coming next this fall.

The fall of 2004 kicked off a television season that brought us some of the biggest hits of the last decade, launching Lost, Desperate Housewives, Grey’s Anatomy , and House . Seven years later, those supernovas are either burning out or dead altogether, victims of audience fatigue or oversight, as their once-huge numbers dwindled year after year. ABC announced on Sunday that Desperate Housewives will end its run in May—-the demise of the once powerful drama signals a death knell for serialized storytelling at the broadcast networks. Over at The Daily Beast, you can read my latest feature, " Desperate Times for TV Networks," in which I examine the death of massively popular scripted TV, with the announcement that long-running drama Desperate Housewives is to end. Have the days of 2004-05 season--and those massive ratings--gone for good? Does Terra Nova have a chance in hell? Head to the comments section to discuss and debate.

Will the 2011-12 television season be a winner or another dud? Over at The Daily Beast, my fellow Daily Beast staffer Maria Elena Fernandez and I offer our first impressions of more than 30 network pilots--from Awake and Ringer to Alcatraz and Work It --coming to TV next season. You can check out our he said/she said-style thoughts in my latest feature, entitled "TV Preview: Snap Judgments of 2011-2012's New Shows." Which fall or midseason show are you most excited about? And which are you most dreading? Head to the comments section to discuss, and see whether you agree with our first impression take on more than 30 broadcast network pilots. Did your potential favorite make the must-see list?

The dust has settled on the TV season— American Idol and The Good Wife are in, The Event and $#*! My Dad Says are out. Over at The Daily Beast, you can read my latest feature, entitled "2010-11 TV's Winners and Losers," in which I rate the hits and the flops of the 2010-11 season and take a look at the broadcasters' position going into and coming out of the 2010-11 television season. Brief caveat: please do remember (because I inevitably will receive something to this effect in the comments section), this isn't a critical evaluation. While certainly some shows I love (cough, The Good Wife , cough) did end up in the winners' column , this is more a look at how individual shows and networks fared in terms of series launches, ratings retention, and (to a smaller extent) critically.

In recent years, it’s been a given that romantic pairs on television had to be subjected to the will-they or-won't-they dilemma—where couples as clearly in love as Ross-and-Rachel, Sam-and-Diane, or Jim-and-Pam were prevented from jumping into bed together for years, as the writers forced them through increasingly tight narrative hoops. These days, though, it seems like more and more TV couples just will. As writer-producers have sought to surprise the audience, they’re puncturing romantic tropes in the process. Over at The Daily Beast, you can read my latest feature, "The Death of Will-They-or-Won't-They," for which I talk to Community ’s Dan Harmon, Parks and Recreation ’s Mike Schur and Greg Daniels, and Bones ’ Hart Hanson about how TV is throwing off that age-old will-they-or-won’t-they paradigm in the post-Jim-and-Pam era.

Television's upfronts week came to a close Thursday with the CW, which will bring Sarah Michelle Gellar back to TV with the thriller Ringer . On Wednesday, CBS presented J.J. Abrams' Person of Interest and five others, showed off new Two and a Half Men star Ashton Kutcher, and moved The Good Wife to Sundays. ABC, meanwhile, unveiled its schedule Tuesday; Fox and NBC did their dance for advertisers on Monday. Watch trailers of the networks' new shows, including ABC's Charlie's Angels reboot, Fox's supernatural drama Alcatraz , and troubled NBC's The Playboy Club . Over at The Daily Beast, we're keeping track of every renewal and cancellation (and which shows are still in limbo) and well as keeping an eye on the bigger picture issues facing the broadcasters this May. Plus, we've got the lowdown--in-depth breakdowns as well as information you can't find anywhere else--on the 44 (and counting) new series heading to the networks next season.

It's no secret that I love Fringe . I've written numerous features and posts celebrating the way in which it blends science fiction with nuanced emotional drama, positioning the fractured characters of the Bishops and Olivia Dunham as a makeshift family studying the mysteries of the universe... and the human heart. Which might be why I was so monumentally disappointed with the Season Three finale ("The Day We Died"), which aired on Friday evening. After a season that was so tremendously emotional, which delivered a series of staggering performances from John Noble, Anna Torv, and Joshua Jackson in two separate, parallel universes, my expectations were extremely high indeed. But what I found with the future-set finale was that I didn't care about "these" versions of Olivia, Walter, and Peter and that the drama here felt entirely manufactured and without emotional weight, destroying the intense momentum established within the last few episodes. It was clea