[Televisionary]

The Shonda Rhimes-executive produced legal thriller might be pushing some boundaries, but its over-reliance on a wonky narrative device is leaving something to be desired. Warning: Contains spoilers if you are not up to date on the show. At BuzzFeed, you can read my latest feature, " How To Get Away With Murder Doesn’t Quite Get Away With Its Framing Device," in which I examine the Shonda Rhimes-executive produced thriller and look at the way in which the show constructs its framing device... and falls short as a result. There are many things for which How to Get Away With Murder — from creator Peter Nowalk and executive producer Shonda Rhimes — ought to be celebrated. ABC’s new legal thriller, which has aired two episodes to date, follows the Rhimes-ian ideals of its forebears, resulting in a show that is thoroughly modern and diverse, brimming with complicated characters who are inherently flawed and yet innately watchable. Likewise, the show has already challenged

“Guys, where are we?” At BuzzFeed, you can read my latest feature, " Lost Changed My Life In More Ways Than I Can Count," in which I revisit the 10th anniversary of Lost 's premiere and look at how my life has changed in the time since the show first began. I saw the pilot episode of Lost a few months before it premiered on ABC exactly 10 years ago today — on Sept. 22, 2004. I was working in television development at the time, and a box of pilots — they may have even been on VHS tapes — had just arrived from a talent agency. My co-workers and I gathered in a tiny, cramped office to sort through the 30–40 screeners, most with titles and premises now forgotten, to find our copy of Lost. Damon Lindelof was an unknown name to us then, but we were addicted to Alias, the trippy espionage drama from Lost co-creator J.J. Abrams, who had also won our hearts with the wistful Felicity. Twitter and social media as we now know them did not yet exist and, while we had followe

David Lynch unveiled nearly 90 minutes of deleted and extended scenes to his 1992 film Twin Peaks: Fire Walk With Me at a Los Angeles theater last night. It was intense and weird. At BuzzFeed, you can read my latest feature, " Twin Peaks: The Missing Pieces Makes You See Fire Walk With Me In A Different Way," in which I look at the so-called Missing Pieces from Twin Peaks — the deleted scenes from David Lynch's Fire Walk with Me — unveiled by Lynch last night at the world premiere in Los Angeles. WARNING: The following contains information about the identity of Laura Palmer’s killer. If, by some chance, you are reading this and haven’t finished the more than two decades-old series, stop reading before you are spoiled. Twin Peaks: Fire Walk With Me , David Lynch’s follow-up prequel to cult classic television series Twin Peaks , has always been an odd beast. It recounts the final seven days of the life of Laura Palmer (Sheryl Lee), whose inexplicable and brutal

David Lynch and Mark Frost’s grand opus celebrates nearly a quarter century of influencing television. Damn fine show. At BuzzFeed, you can read my latest feature, " Twin Peaks Is 24 Years Old And It Still Haunts Your Dreams," in which I (very briefly) explore just why Twin Peaks continues to hold a special allure nearly a quarter century after it first premiered. Nearly 25 years after it first premiered on ABC, Twin Peaks — the brainchild of David Lynch and Mark Frost — continues to exert an inescapable gravitational pull on the imaginations of viewers and on the television landscape as a whole. Yes, there is still the totemic power of such influential series such as The Wire , or Six Feet Under , or The Sopranos , but Twin Peaks remains a powerful shorthand for ethereal, riveting mystery, and for good reason. Nominally about the investigation into the murder of homecoming queen Laura Palmer (Sheryl Lee), the serialized drama was responsible for creating the night

Shonda Rhimes’ political thriller always leaves you guessing, but entertainment editorial director Jace Lacob and staff writer Emily Orley take a stab as to what might happen by the end of the third season. Let the wild speculation begin! At BuzzFeed, you can read my latest feature, "53 Possible Ways Season 3 Of Scandal Could End," in which Emily Orley and I come up with, yes, 53 ways that this season of Scandal could end, from the possible to the highly absurd. 1. Maya’s bomb explodes on the campaign trail, leaving the fates of several characters — including Fitz — unclear as the show goes on its summer hiatus. CLIFF-HANGER! 2. Fitz is killed when the bomb goes off, widowing Mellie in the process. Olivia is understandably distraught, as her actions lead to Maya being able to plant the bomb. 3. Fitz is killed when the bomb goes off and Cyrus runs in his spot on the Republican ticket. He becomes the first openly gay man to win the presidency. 4. Adnan turns on May

Season 3 of Shonda Rhimes’ additive ABC drama offers not only a pulse-pounding thrill ride each week, but also a canny exploration of self-determination. Spoilers ahead, if you’re not caught up. At BuzzFeed, you can read my latest feature, "How Scandal Turned Into An Exploration Of Free Will," in which I take a look at the third season of Shonda Rhimes' addictive ABC thriller. Scandal ’s seven-episode first season, which aired in early 2012, gave very little indication of just where this riveting drama would go by its third and current season. At first glance, it appeared to be a legal drama centering on Olivia Pope (Kerry Washington) and her team of misfit lawyers, a group of very damaged people lured into the arena by Olivia’s gritty strength and forged into self-made gladiators. Their elite crisis management firm operated in Washington, meaning that the show’s title came into play fairly quickly via a slew of high-profile cases. Olivia had ties to the fictiona

ABC’s quirky blended family comedy — the one that isn’t Modern Family — has quickly become a bright spot in an otherwise largely dull season of television. At BuzzFeed, you can read my latest, feature, "9 Reasons Why Trophy Wife Is Amazing," in which I offer nine reasons why you should be watching ABC's stellar comedy Trophy Wife , which airs Tuesdays at 9:30 p.m. Make no mistake: You should be watching ABC’s Trophy Wife . Created by Emily Halpern and Sarah Haskins, this witty show — which was picked up last week for a full season of 22 episodes — might just be the best new comedy of the 2013-14 season. It’s a perfectly sweet-tart confection that focuses on a sprawling Los Angeles family connected by marriage, divorce, and remarriage. Meet Pete (Bradley Whitford), a lawyer who’s lousy at picking spouses, a concept quickly summed up in the opening title sequence. His first ex-wife is prickly doctor Diane (Marcia Gay Harden); his second ex-wife is spacey oddball Ja

The Marvel espionage drama bares a lot of similarities to the early run of Fox’s now-departed Fringe — and not necessarily in good ways. At BuzzFeed, you can read my latest feature, "What’s Wrong With ABC’s Agents Of S.H.I.E.L.D. ?” in which I ponder just what's wrong with ABC's Agents of S.H.I.E.L.D. and why the show is failing to deliver on the promise of its concept. After what I thought was an enjoyable pilot episode (save for that unfortunate opening sequence), I’ve found the subsequent episodes of ABC’s Agents of S.H.I.E.L.D. , the television spinoff from Marvel’s cinematic universe, to be rather lackluster. That shouldn’t be the case, particularly given the participation of the Whedons behind the scenes and the fact that the show’s writers have an entire universe of pre-existing Marvel material from which to draw inspiration. Yet, for the most part, these first few episodes have bordered on being depressingly dull, static installments that haven’t advanced

Marvel’s cinematic universe gets a television tie-in as the Joss Whedon-led spinoff — the pilot episode of which ABC screened for critics earlier this week — launches on September 24. Over at BuzzFeed, you can read my latest feature, " Marvel’s Agents Of S.H.I.E.L.D. Is Just As Awesome As You Suspected," in which I offer my first impressions of ABC's pilot for Marvel’s Agents Of S.H.I.E.L.D. . Agent Coulson lives! Well, sort of, anyway, if the sensational pilot episode of ABC’s Marvel’s Agents of S.H.I.E.L.D. — a bit of a mouthful, not to mention a clutch of extra periods — is any indication. While Marvel’s studio bosses are keeping mum about the truth behind the revelation that Clark Gregg’s Coulson, who was last seen on the receiving end of a vengeful Asgardian god’s pointy stick in The Avengers, firmly under wraps, longtime fans of Marvel Comics can pretty much figure out what’s going on here. (Cough, LMD, cough.) But that’s really more than okay, because th

The broadcast network upfront presentations are over. Jace Lacob on the 51 new scripted shows heading to television next season. What will you watch? At The Daily Beast, you can read my final upfronts post, "2013 TV Upfronts Wrap-Up: Bring On the New Television Shows," in which I wrap up our broadcast network upfronts coverage and take a look at the 51 new scripted series heading to ABC Television Network, CBS, NBC, FOX, and The CW for the 2013-14 season. The upfront presentations are (finally) over. Now that the dust has settled, it's easier to get a larger picture of what's going on for next season. The numbers: 51 scripted series have been ordered by the broadcast networks for the 2013–14 season. There are 29 new dramas for next season and 22 comedies. Thirty-one shows will launch in the fall, and 20 are being held for a later date, should some of the fall offerings fail to enflame the public's imagination. On the network level, ABC picked up 12 new sc

I examine ABC's primetime schedule for 2013-14, which includes Joss Whedon's Agents of S.H.I.E.L.D. , a Once Upon a Time spin-off, and Kyle Killen's Mind Games . Plus, read what Paul Lee had to say about the cancellation of Happy Endings and why Agents of S.H.I.E.L.D. is perfect for Tuesdays at 8 p.m. At The Daily Beast, you can read my latest upfronts update, "ABC Announces 2013-14 Schedule: Marvel's Agents of S.H.I.E.L.D. Gets Tuesday Berth, Super Fun Night Gets Modern Family Lead-In," in which I report on ABC's fall 2013 primetime schedule, sum up Paul Lee's remarks to reporters this morning, and issue some quick reactions to the scheduling announcements. ABC took the wraps off of its 2013-14 schedule on Tuesday morning, following speculation about where the network would slot its highly anticipated television series spin-off of feature film franchise The Avengers, entitled Marvel's Agents of S.H.I.E.L.D. (Yes, there are a lot of peri

With the broadcast networks' upfront presentations less than a week away, I look at what new television shows the broadcast networks have ordered for the 2013-14 season. At The Daily Beast, you can read my latest feature, "Bring On the New Shows!" in which I start to round up what new television shows the broadcast networks have ordered so far for the 2013-14 season. (It will continue to be updated with each new series order over the next week.) It's that time of year again! I take a look at the new series that are coming to television next season, as the broadcast network upfront presentations get underway next week. The orders started coming in late Thursday night. Fox has so far ordered four comedies and four dramas, including: J.J. Abrams' futuristic police drama Almost Human; Sleepy Hollow, a modern day update of Washington Irving's classic thriller; cop drama Gang Related, which will star Lost's Terry O'Quinn and RZA; and legal drama Rake,

Is your favorite show safe? I take a look at what’s on tap for the broadcast networks for the 2013-14 season, which shows are coming back, and which ones have gotten the axe. At The Daily Beast, you can read my latest feature, "TV Upfronts 2013: NBC, ABC, CBS, Fox, and The CW By the Numbers," in which I offer a running total (which will be updated throughout the next week) at all the broadcast network shows that have been renewed, ordered, and cancelled as we move into upfront presentations week for the broadcast networks. Every May, advertisers and members of the press descend on New York City as the broadcast networks host their annual upfront presentations, where they will unveil their fall schedules, trot out talent, and announce which shows will be coming back next season and which ones won’t. The Daily Beast will be reporting on every move being made by ABC, CBS, Fox, NBC, and The CW as they prepare to launch their 2013-2014 schedules. As the week wears on, The

Last year, Revenge was a thrill-a-minute vengeance fantasy but now, in its second season, it’s a convoluted mess. My take on the show’s head-scratching fall from grace. Over at The Daily Beast, you can read my latest feature, " Revenge : What Went Wrong with ABC’s Once-Daring Thriller?" In it, I ponder just what went wrong with ABC's Revenge that caused its shocking second-season drop in quality. What a difference a year makes, particularly in the life of a serialized television narrative. At this time last year, ABC’s Revenge —Mike Kelley’s modern-day retelling of Alexandre Dumas’s The Count of Monte Cristo , set among the Hamptons polo set—was a dazzling vengeance fantasy, reveling in its dark nature and the even darker journey of Emily Thorne (Emily VanCamp), a woman scorned who was out for payback against the wealthy clan who destroyed her life and shattered her family. It functioned on several levels and tapped into the zeitgeist of 2012; it could be seen

ABC tries to get back in the Lost game with the ridiculous Zero Hour . My take on the show, launching Thursday, that just might be the dumbest ever on television. Over at The Daily Beast, you can read my review of the first episode of ABC's overhyped adventure drama "Zero Hour" (entitled " " Zero Hour : Is This the Dumbest Show Ever to Air on TV?" ), in which I call the Anthony Edwards-led drama "nothing more than stale schlock, an hour full of zeroes. Ever since Lost went off the air—and, actually, before—the broadcast networks have desperately searched for a show that could tempt viewers eager to get, well, lost in the complexity, mythology, and mystery of the Damon Lindelof/Carlton Cuse drama. Zero Hour is not that show. The ABC drama, which begins Thursday night at 10 p.m., recalls fiascos like FlashForward more than Lost . Created by former Prison Break writer Paul Scheuring, Zero Hour is no valentine to television, offering up a l

Nashville is one of the fall season’s few critical sensations. So why is no one watching? I explore the reasons why ABC’s country music drama isn’t a ratings success—yet. Over at The Daily Beast, you can read my latest feature, "Why Is No One Watching ABC’s Critically Acclaimed Drama Nashville ?" in which I offer praise of ABC's Nashville , and ponder why more viewers aren't watching this fantastic drama. The fall television season has been largely disappointing. Few new shows have captured the passion or imagination of viewers, and the war of comedies on the broadcast networks—with no less than three separate comedy blocks on Tuesday nights!—has turned out to be little more than a minor skirmish. So it’s all the more disheartening that one of the few bright spots on the fall schedule, ABC’s Nashville—which was picked up for a full season earlier this week—seems to be suffering as much hardship as a heroine in a country song. Despite overwhelming critical p

Can’t get that song out of your head? Jace Lacob offers five facts about the stunning duet, a cover of The Civil Wars’ “If I Didn’t Know Better,” in ABC’s Nashville pilot. At The Daily Beast, you can read my latest feature, " Nashville : 5 Facts About Clare Bowen and Sam Palladio’s Stunning Duet," in which I offer up five facts about the gorgeous duet in the pilot episode of ABC's Nashville last night. If you watched Wednesday night’s premiere of Nashville—or caught the series opener on iTunes or elsewhere—you know that you don’t need to be a country-music fan in order to appreciate the soapy and seductive Callie Khouri–created drama, which revolves around the battle for dominance between a country-music veteran (Friday Night Lights’ Connie Britton) and a young upstart (Hayden Panettiere). While the two musical adversaries all but threw daggers at each other in the series opener, Nashsville is not just about the Grand Ole Opry but a canny exploration of gender an

Game of Thrones is beloved by viewers and critics alike. But the Emmy-nominated HBO fantasy drama is also a surprising favorite in the writers’ rooms of TV comedies around Hollywood. I talk to sitcom writers about why they’re obsessed with the sex-and-magic-laden drama, and how the show informs their own narratives. At The Daily Beast, you can read my latest feature, "Why Comedy Writers Love HBO's Game of Thrones, " in which I talk to writers from Parks and Recreation, Modern Family , and Community about why they love HBO's Game of Thrones, nominated for an Emmy Award for Best Drama. Fox’s upcoming sitcom The Mindy Project, created by and starring Mindy Kaling, deconstructs the romantic comedy fantasies of its lead character, an ob-gyn whose disappointment in the dating world stems from her obsessive viewing of Nora Ephron films. At the Television Critics Association Summer Press Tour in July, Kaling was candid about the role that When Harry Met Sally and oth

The fall television season is here! But which shows should you be watching and which should you skip? I'm glad you asked. Over at The Daily Beast, you can read my latest feature, "Fall TV 2012 Preview: 7 Shows to Watch, 7 Shows to Skip," in which I offer my take on the upcoming fall season, with seven shows you should be watching (from ABC's Nashville to PBS' Call the Midwife ) and those you should be snubbing ( Partners, The Neighbors ). The fall television season is once again upon us, and overall the results are pretty depressing: there’s a decided lack of originality to much of the broadcast networks’ new offerings, as if they were somehow injured by the lack of interest in last year’s riskier programs. In fact, there is a whole lot of formulaic fare coming to your televisions, and a ton of new (mostly awful) comedies this year. But fret not: it’s not all doom and gloom, as there are at least a few promising new shows on the horizon, from the Connie Br

Just what are you watching before bed? Do you tune in to watch a 10 p.m. drama? A late-night talk show? Or reality television? At The Daily Beast, you can read my latest feature, "TiVo’s Top 20 Shows Watched Before Bed: Jimmy Fallon, Lost Girl , and More," in which I examine data obtained from TiVo about the top 20 shows that people watch before they go to bed, from Late Night with Jimmy Fallon and Revenge to Chopped and NCIS: LA . It’s no secret that many Americans turn on the television as part of a nighttime ritual before bed. But what is surprising is just what they’re watching before their heads hit their respective pillows. According to data provided by TiVo to The Daily Beast, the top program watched at bedtime was NBC’s Late Night With Jimmy Fallon, while TBS’s Conan was the most-watched cable show before bed. “Perhaps it’s not surprising that many late-night talk shows are watched before bed,” Tara Maitra, TiVo’s general manager of content and media sales