[Televisionary]

The CBS legal drama, now in its sixth season, continually shakes up its narrative foundations and proves itself fearless in the process. Spoilers ahead, if you’re not up to date on the show. At BuzzFeed, you can read my latest feature, " The Good Wife Is The Best Show On Television Right Now," in which I praise CBS' The Good Wife and, well, hail it as the best show currently on television. (Yes, you read that right.) There is no need to be delicate here: If you’re not watching The Good Wife, you are missing out on the best show on television. I won’t qualify that statement in the least — I’m not talking about the best show currently airing on broadcast television or outside of cable or on premium or however you want to sandbox this remarkable show. No, the legal drama is the best thing currently airing on any channel on television. That The Good Wife is this perfect in its sixth season is reason to truly celebrate. Few shows embrace complexity and risk-taking in t

The new Showtime drama joins movies Gone Girl and The Disappearance of Eleanor Rigby in its exploration of gender wars, a topic that’s currently heating up the pop culture landscape. Warning: Minor spoilers for both films and the series ahead. At BuzzFeed, you can read my latest feature, " The Affair Advances Hollywood’s Heated War-Between-The-Sexes Conversation," in which I review Showtime's The Affair and examine it in the context of the similarly themed battle-of-the-sexes dramas Gone Girl and The Disappearance of Eleanor Rigby . While we can attempt to empathize, it’s impossible to truly ever know every crevice of someone’s psyche, whether it’s the stranger you pass in the street or your own spouse. Other people are innately unknowable. Gone Girl, whose gender politics have been hotly debated, takes this notion to an operatic and hyper-intense place as the audience is forced to contend with the unreliability of two narrators — Nick Dunne (Ben Affleck), the

Damn fine news: After 25 years, Twin Peaks is headed to Showtime with a nine-episode limited series. BuzzFeed News spoke to Frost about the revival and what fans can expect. At BuzzFeed, you can read my latest feature, " Twin Peaks Co-Creator Mark Frost On The Series’ Return To Television," in which I talk to Twin Peaks co-creator Mark Frost about the series' resurrection as a limited series on Showtime in 2016. Earlier this summer, deleted and extended scenes from the Twin Peaks follow-up film Fire Walk With Me were unearthed for the series’ complete Blu-ray release. But that was nothing compared to what happened on Oct. 6, as the impossible suddenly became a reality: Co-creators David Lynch and Mark Frost announced that Twin Peaks would be returning to television 25 years after it went off the air, its resolution as hazy and unclear as a fever dream. Nine episodes of a Twin Peaks revival series will air on Showtime in 2016 as a limited series, one that promise

The Shonda Rhimes-executive produced legal thriller might be pushing some boundaries, but its over-reliance on a wonky narrative device is leaving something to be desired. Warning: Contains spoilers if you are not up to date on the show. At BuzzFeed, you can read my latest feature, " How To Get Away With Murder Doesn’t Quite Get Away With Its Framing Device," in which I examine the Shonda Rhimes-executive produced thriller and look at the way in which the show constructs its framing device... and falls short as a result. There are many things for which How to Get Away With Murder — from creator Peter Nowalk and executive producer Shonda Rhimes — ought to be celebrated. ABC’s new legal thriller, which has aired two episodes to date, follows the Rhimes-ian ideals of its forebears, resulting in a show that is thoroughly modern and diverse, brimming with complicated characters who are inherently flawed and yet innately watchable. Likewise, the show has already challenged