Skip to main content

BuzzFeed: "Twin Peaks Is 24 Years Old And It Still Haunts Your Dreams"

David Lynch and Mark Frost’s grand opus celebrates nearly a quarter century of influencing television. Damn fine show.

At BuzzFeed, you can read my latest feature, "Twin Peaks Is 24 Years Old And It Still Haunts Your Dreams," in which I (very briefly) explore just why Twin Peaks continues to hold a special allure nearly a quarter century after it first premiered.

Nearly 25 years after it first premiered on ABC, Twin Peaks — the brainchild of David Lynch and Mark Frost — continues to exert an inescapable gravitational pull on the imaginations of viewers and on the television landscape as a whole. Yes, there is still the totemic power of such influential series such as The Wire, or Six Feet Under, or The Sopranos, but Twin Peaks remains a powerful shorthand for ethereal, riveting mystery, and for good reason.

Nominally about the investigation into the murder of homecoming queen Laura Palmer (Sheryl Lee), the serialized drama was responsible for creating the nightmares of many as it delved into both the seedy underbelly of a seemingly idyllic town in the Pacific Northwest and into a haunting dream world where giants and dwarves roamed the halls of the Great Northern Hotel, perfect cherry pie could be had at the local greasy spoon, and murder most foul could rip a town in two. The show itself embraced the somnambulist visuals of its co-creator, infusing the whodunnit with a lyrical, somber, and, at times, terrifying feel. (You all know which moments I mean: A tableau of lovelorn teenagers singing a song segues into a nightmarish encounter. A skipping record signals doom. Red curtains part to reveal horrors.)

For those of us who experienced the show as it aired, tuning in each week to gather more clues about Laura’s killer and marvel at the deductive reasoning skills of the show’s resident Sherlock, FBI Special Agent Dale Cooper (Kyle MacLachlan), it’s almost impossible to describe the strange appeal that Twin Peaks had and the hunger to solve the murder in the days before Twitter, Television Without Pity message boards, or social media at all. It was a true watercooler show in the days when such things as watercooler conversation still existed. It caused many a sleepless night as you pondered just what the dwarf meant, or whether Laura’s lookalike cousin Maddy Ferguson (also played by Lee) was connected somehow to the specifics of her death.

Continue reading at BuzzFeed...

Comments

Popular posts from this blog

Have a Burning Question for Team Darlton, Matthew Fox, Evangeline Lilly, or Michael Emerson?

Lost fans: you don't have to make your way to the island via Ajira Airways in order to ask a question of the creative team or the series' stars. Televisionary is taking questions from fans to put to Lost 's executive producers/showrunners Damon Lindelof and Carlton Cuse and stars Matthew Fox ("Jack Shephard"), Evangeline Lilly ("Kate Austen"), and Michael Emerson ("Benjamin Linus") for a series of on-camera interviews taking place this weekend. If you have a specific question for any of the above producers or actors from Lost , please leave it in the comments section below . I'll be accepting questions until midnight PT tonight and, while I can't promise I'll be able to ask any specific inquiry due to the brevity of these on-camera interviews, I am looking for some insightful and thought-provoking questions to add to the mix. So who knows: your burning question might get asked after all.

What's Done is Done: The Eternal Struggle Between Good and Evil on the Season Finale of "Lost"

Every story begins with thread. It's up to the storyteller to determine just how much they need to parcel out, what pattern they're making, and when to cut it short and tie it off. With last night's penultimate season finale of Lost ("The Incident, Parts One and Two"), written by Damon Lindelof and Carlton Cuse, we began to see the pattern that Lindelof and Cuse have been designing towards the last five seasons of this serpentine series. And it was only fitting that the two-hour finale, which pushes us on the road to the final season of Lost , should begin with thread, a loom, and a tapestry. Would Jack follow through on his plan to detonate the island and therefore reset their lives aboard Oceanic Flight 815 ? Why did Locke want to kill Jacob? What caused The Incident? What was in the box and just what lies in the shadow of the statue? We got the answers to these in a two-hour season finale that didn't quite pack the same emotional wallop of previous season ...

See You in Another Life: Thoughts on The Series Finale of Lost

"No one can tell you why you're here." I'm of two minds (and two hearts) about the two-and-a-half hour series finale of Lost ("The End"), written by Damon Lindelof and Carlton Cuse and directed by Jack Bender, which brought a finality to the story of the passengers of Oceanic Flight 815 and the characters with which we've spent six years. At its heart, Lost has been about the two bookends of the human existence, birth and death, and the choices we make in between. Do we choose to live together or die alone? Can we let go of our past traumas to become better people? When we have nothing else left to give, can we make the ultimate sacrifice for the greater good? In that sense, the series finale of Lost brought to a close the stories of the crash survivors and those who joined them among the wreckage over the course of more than 100 days on the island (and their return), offering up a coda to their lives and their deaths, a sort of purgatory for found, r...