Skip to main content

The Daily Beast: "Meet Flynn McGarry: America's Next Great Chef is 14 Years Old"


McGarry and BierBeisl chef Bernard Meiringer. (Will McGarry)
The chef behind hit Beverly Hills pop-up restaurant Eureka is Flynn McGarry. I sit down for an elaborate 11-course meal and interviews the teenage prodigy.

At The Daily Beast, you can read my latest feature, "Meet Flynn McGarry: America's Next Great Chef is 14 Years Old," in which I sit down with 14-year-old culinary prodigy Flynn McGarry, whose $160 a head supper club and pop-up restaurant Eureka has become destination dining in Los Angeles.(Plus, see my Instagrams of my May 1st meal at McGarry's Eureka and read what McGarry has to say about several specific dishes from the menu.)

A recent 11-course tasting menu at Eureka, a monthly pop-up restaurant at Los Angeles’ BierBeisl, included a dish of fresh and dried English peas concealing a hidden parmesan and whey pudding, a live scallop under a cucumber foam, gnocchi made from ash, and an unctuous sous-vide egg yolk encircled by hedgehog mushrooms, pork skin snow, and a sauce made from preserved lemons and radish greens.

On an evening in early May, this was a meal that showed the precision, vision, and creativity of its gifted chef, one that soared on a deliberate rhythm and flow: plates arrived at just the right moment with an explanation of the dish’s ingredients, each showcasing the season to perfection. The chef, Flynn McGarry, moved in the kitchen with grace, charring ramps for a dish of sturgeon and tapioca with a charred onion sauce before spinning around to sauce a plate—on which quivered a single slice of blood-red dehydrated beet—with just the right amount of raspberry-black pepper vinaigrette.

Without seeing him, you would never know that the chef isn’t old enough to drive.

At 14, McGarry is already a commanding presence in the kitchen. His youth seems at odds with the perfection, skill, and beauty of the dazzling array of dishes that are sent out over the course of this evening in a style that McGarry refers to as “modern American progressive.” McGarry is already something of a culinary wunderkind in Los Angeles, charging $160 a head for Eureka, a monthly dinner that originated in his parents’ home in the San Fernando Valley and now resides at a high-end Austrian restaurant in the heart of Beverly Hills. Over the course of the evening, professional chefs wandered in to take a peek at food being prepared by the culinary prodigy, a term that McGarry himself doesn’t wear easily.

“I’ve come to terms with it,” said McGarry. “I’m not going around comparing myself to Mozart, but I do think that there is a little bit of natural talent… I’m sort of gifted in the way that my taste buds are aligned correctly, which is a really weird way to think. Like any other prodigy, I’ve worked ridiculously hard on this.”

Continue reading at The Daily Beast...

Comments

Popular posts from this blog

Have a Burning Question for Team Darlton, Matthew Fox, Evangeline Lilly, or Michael Emerson?

Lost fans: you don't have to make your way to the island via Ajira Airways in order to ask a question of the creative team or the series' stars. Televisionary is taking questions from fans to put to Lost 's executive producers/showrunners Damon Lindelof and Carlton Cuse and stars Matthew Fox ("Jack Shephard"), Evangeline Lilly ("Kate Austen"), and Michael Emerson ("Benjamin Linus") for a series of on-camera interviews taking place this weekend. If you have a specific question for any of the above producers or actors from Lost , please leave it in the comments section below . I'll be accepting questions until midnight PT tonight and, while I can't promise I'll be able to ask any specific inquiry due to the brevity of these on-camera interviews, I am looking for some insightful and thought-provoking questions to add to the mix. So who knows: your burning question might get asked after all.

What's Done is Done: The Eternal Struggle Between Good and Evil on the Season Finale of "Lost"

Every story begins with thread. It's up to the storyteller to determine just how much they need to parcel out, what pattern they're making, and when to cut it short and tie it off. With last night's penultimate season finale of Lost ("The Incident, Parts One and Two"), written by Damon Lindelof and Carlton Cuse, we began to see the pattern that Lindelof and Cuse have been designing towards the last five seasons of this serpentine series. And it was only fitting that the two-hour finale, which pushes us on the road to the final season of Lost , should begin with thread, a loom, and a tapestry. Would Jack follow through on his plan to detonate the island and therefore reset their lives aboard Oceanic Flight 815 ? Why did Locke want to kill Jacob? What caused The Incident? What was in the box and just what lies in the shadow of the statue? We got the answers to these in a two-hour season finale that didn't quite pack the same emotional wallop of previous season

In Defense of Downton Abbey (Or, Don't Believe Everything You Read)

The proof of the pudding, as they say, is in the eating. Which means, if I can get on my soapbox for a minute, that in order to judge something, one ought to experience it first hand. One can't know how the pudding has turned out until one actually tastes it. I was asked last week--while I was on vacation with my wife--for an interview by a journalist from The Daily Mail, who got in touch to talk to me about PBS' upcoming launch of ITV's period drama Downton Abbey , which stars Hugh Bonneville, Dame Maggie Smith, Dan Stevens, Elizabeth McGovern, and a host of others. (It launches on Sunday evening as part of PBS' Masterpiece Classic ; my advance review of the first season can be read here , while my interview with Downton Abbey creator Julian Fellowes and stars Dan Stevens and Hugh Bonneville can be read here .) Normally, I would have refused, just based on the fact that I was traveling and wasn't working, but I love Downton Abbey and am so enchanted with the proj