[Televisionary]

HBO's fantasy series Game of Thrones returns Sunday for a third season. Can’t remember the difference between a wight and a white walker? Jace Lacob's glossary explains all! (Plus, read our advance review of Season 3 .) At The Daily Beast, you can read my latest feature, " Game of Thrones Season 3 for Dummies," the third in an ongoing series that each year brings you up to speed (and reminds you of what you may have forgotten) about the people, places, and recurring motifs from the immersive HBO drama (and George R. R. Martin's massive A Song of Ice and Fire novel series), which returns Sunday, March 31. In its riveting second season, Game of Thrones —based on George R.R. Martin’s behemoth A Song of Ice and Fire series and adapted by executive producers David Benioff and D.B. Weiss—brought the war for the Iron Throne to a staggering climax with the amazing Battle of the Blackwater, a hugely dramatic set piece that found the naval forces of Stannis Barathe

Based on a 1,000-page novel, the third season of HBO’s ‘Game of Thrones’ is the best—and most complex—one we’ve seen yet. In this week's issue of Newsweek (and online at The Daily Beast), you can read my latest feature, "Here Be Dragons: Season 3 of HBO's Game of Thrones Reviewed," in which I review the first four episodes of Season 3 of HBO's Game of Thrones , which might just be the best season yet. When it launched in 2011, HBO’s fantasy drama Game of Thrones quickly became part of the global collective consciousness, an often brutally violent and staggeringly beautiful series that offered viewers an immersive television experience. Based on the gargantuan bestselling novel series A Song of Ice and Fire by George R.R. Martin, Game of Thrones depicts the bloody and vicious battle for control of the Iron Throne in the Seven Kingdoms of Westeros, a fictional world that bears a resemblance to medieval Europe ... if Europe had once been the home of magic,

She’s wielded a skillet, a rifle, and—in last night’s episode of Justified —nearly ignited a man. Joelle Carter talks to me about the evolution of Ava Crowder, empowerment, and last night's explosive episode of the FX drama. One choice quote: “We wanted to see them on top of a mountain before the fall,” said Carter. Over at The Daily Beast, you can read my latest feature, "The Most Badass Woman on TV," in which I sit down with Joelle Carter to talk about playing Ava Crowder, empowerment, and more. FX’s Justified, based on characters created by novelist Elmore Leonard, revolves around criminals and lawmen who collide in a never-ending bloody battle. Unfolding largely in the backwoods of modern-day Harlan County, Kentucky, the show is grounded in a rough-and-tumble man’s world, one containing a very specific code of honor among the hairy-chested set. It’s a show about how we often stumble upon the path of darkness, how violence defines our worldview, how a gun can re

Season 3 of beloved British costume drama Downton Abbey has broken a number of ratings records, becoming the highest-rated PBS drama of all time, according to PBS. Plus, Masterpiece executive producer Rebecca Eaton reacts to the day-and-date broadcast issue. At The Daily Beast, you can read my latest feature, " Downton Abbey Breaks Records," in which I talk to Masterpiece executive producer Rebecca Eaton about the same-day broadcast issue and whether the show will be affected by the departure of Dan Stevens. 24 million viewers tuned in to watch the third season of Downton Abbey. Just think about that for a second: 24 million viewers. In an age of increasingly fragmented television viewing, those numbers are even more staggering when you compare those figures next to say, a recent episode of NBC's Smash, which garnered roughly a tenth of that audience. Those numbers are huge for broadcast and cable, but considering that they're associated with a costume dram

How to choose from the slew of content about to hit the airwaves? From miniseries (Jane Campion’s Top of the Lake ) to returning favorites ( Game of Thrones ) and new offerings ( Rectify ), I makes my picks for what's worth watching on television this spring. Over at The Daily Beast, you can read my latest feature, " Game of Thrones, Mad Men, Bates Motel : 15 Shows Worth Watching This Spring," in which I offer up 15 television shows to check out in the coming months, from the tried-and-true to those off the beaten path. With the promise of warmer weather just around the corner, a slew of new and returning television shows are hitting the airwaves. HBO welcomes back Game of Thrones on March 31, AMC travels back in time for another season of Mad Men on April 7, and Sundance Channel offers two spellbinding new original dramas: Top of the Lake , a mystery series from co-creator Jane Campion, and Rectify , a searing drama that looks at what life is like after being rele

A missing girl. A shocking crime. A town full of secrets. Welcome to Top of the Lake , from creators Jane Campion and Gerard Lee. At the Daily Beast, you can read my latest feature, "Gone Girl: Inside ‘Top of the Lake,’ Jane Campion’s Haunting New Thriller," for which I sit down with Jane Campion ( The Piano ), Elisabeth Moss ( Mad Men ), Holly Hunter ( Saving Grace ), and Gerard Lee ( Sweetie ) to discuss Top of the Lake , Campion's haunting and spellbinding new thriller, which launches on Monday evening on the Sundance Channel. Jane Campion is missing. The Oscar-nominated director of such films as The Piano and Bright Star is in Los Angeles for a quick stop before the Sundance Film Festival, where her seven-part mystery drama, Top of the Lake, will be screened in its entirety over one day. We’re scheduled to meet for a drink at the Polo Lounge in the historic Beverly Hills Hotel, but Campion has vanished from the hotel, and publicists can’t locate her. Consider

This week’s episode of Girls graphically depicted the results of a male character’s climax. Why the scene has outraged some, and why it’s a watershed moment for the HBO comedy. Over at The Daily Beast, you can read my latest feature, " Girls Gets Graphic," in which I write about Girls , viewer responses, graphic content, and why THAT scene from this week's episode was a watershed moment for the Lena Dunham comedy. HBO’s Girls has always been a lightning rod for critical reaction, whether it be allegations of nepotism, privilege, or racism. It’s impossible to imagine a week going by without someone, somewhere, having an adverse reaction to the Lena Dunham-created comedy. And that’s okay: art is meant to trigger emotional responses. I’d far rather watch a television show that stirred up feelings within its viewers—that challenged them to watch something complicated and often uncomfortable—than a show whose main goal was simply to please the most people, across all

Last year, Revenge was a thrill-a-minute vengeance fantasy but now, in its second season, it’s a convoluted mess. My take on the show’s head-scratching fall from grace. Over at The Daily Beast, you can read my latest feature, " Revenge : What Went Wrong with ABC’s Once-Daring Thriller?" In it, I ponder just what went wrong with ABC's Revenge that caused its shocking second-season drop in quality. What a difference a year makes, particularly in the life of a serialized television narrative. At this time last year, ABC’s Revenge —Mike Kelley’s modern-day retelling of Alexandre Dumas’s The Count of Monte Cristo , set among the Hamptons polo set—was a dazzling vengeance fantasy, reveling in its dark nature and the even darker journey of Emily Thorne (Emily VanCamp), a woman scorned who was out for payback against the wealthy clan who destroyed her life and shattered her family. It functioned on several levels and tapped into the zeitgeist of 2012; it could be seen

Her two previous Doctor Who characters all look alike... and they've all died. Jace Lacob rounds up five facts about new Doctor Who companion Jenna-Louise Coleman. At The Daily Beast, you can read my latest feature, "Five Facts About the New Doctor Who Companion, Jenna-Louise Coleman," in which I round up five facts about the new Doctor Who companion, Jenna-Louise Coleman, who joins Matt Smith's Eleventh Doctor when the show returns to BBC America and BBC One on March 30. Clara... who? The Doctor—the centuries old time-traveler whose 11th incarnation is played by Matt Smith—has had his fair share of companions over the last 50 years, but the Time Lord is about to get yet another in the form of 26-year-old British actress Jenna-Louise Coleman, who steps into the TARDIS officially when Doctor Who's seventh season returns for its back half on March 30. Coleman has turned up on Doctor Who twice already in the past year, playing very different characters w

The story of crime novelist Michael Peterson, convicted of murdering his wife Kathleen in 2001, takes yet another strange turn as he gets his shot at an appeal and a possible overturn of his guilty verdict, captured in the two-part sequel to the riveting documentary The Staircase . Director Jean-Xavier de Lestrade offers his take on Peterson’s story and the possibility of justice finally being served. Over at The Daily Beast, you can read a feature that I had a hand in bringing to life, "At the Bottom of The Staircase ," in which Jean-Xavier de Lestrade, the director of Sundance's addictive documentary series The Staircase , writes about Michael Peterson, the owl theory, justice, and more. Jean-Xavier de Lestrade is an Academy Award–winning documentary filmmaker and the director of the riveting 2004 documentary The Staircase (a.k.a. Soupçons), currently airing on Sundance Channel. The eight-hour cinema verité series recounts the serpentine trial of crime novelist Mic