Skip to main content

The Daily Beast: "Zero Hour: Is This the Dumbest Show Ever to Air on TV?"

ABC tries to get back in the Lost game with the ridiculous Zero Hour. My take on the show, launching Thursday, that just might be the dumbest ever on television.

Over at The Daily Beast, you can read my review of the first episode of ABC's overhyped adventure drama "Zero Hour" (entitled ""Zero Hour: Is This the Dumbest Show Ever to Air on TV?"), in which I call the Anthony Edwards-led drama "nothing more than stale schlock, an hour full of zeroes.

Ever since Lost went off the air—and, actually, before—the broadcast networks have desperately searched for a show that could tempt viewers eager to get, well, lost in the complexity, mythology, and mystery of the Damon Lindelof/Carlton Cuse drama.

Zero Hour is not that show.

The ABC drama, which begins Thursday night at 10 p.m., recalls fiascos like FlashForward more than Lost. Created by former Prison Break writer Paul Scheuring, Zero Hour is no valentine to television, offering up a ludicrous mash-up of overtly familiar tropes: doomsday devices, the birth of the Anti-Christ, secret societies, and a witch’s cauldron of yawn-inducing fare. Did I mention that there are also goose-stepping Nazis, clocks embedded with treasure maps, demon spawn, and enough nonsense to make The Da Vinci Code seem downright plausible?

The plot—and I use that term lightly—revolves around Hank (Anthony Edwards), the shlubby editor of a paranormal magazine (called Modern Skeptic, no less) whose wife, clock seller Laila (Jacinda Barrett), is kidnapped by a ruthless assassin on the FBI’s most wanted list as part of a conspiracy that involves the end of the world.

There’s also the appearance of 12 mystical clocks, constructed during the rise of the Nazis in Germany, and the Rosicrucians, a secret Catholic mystical sect said to be guarding some sort of device with the power to bring about “zero hour” for the planet. Hank sets out on a world-spanning mission (funded by whom?), heading for the Artic circle after discovering a diamond whose flaw is actually a map to something called “New Bartholomew” in an effort to find Laila and the man who took her.

Continue reading at The Daily Beast...

Comments

Popular posts from this blog

Have a Burning Question for Team Darlton, Matthew Fox, Evangeline Lilly, or Michael Emerson?

Lost fans: you don't have to make your way to the island via Ajira Airways in order to ask a question of the creative team or the series' stars. Televisionary is taking questions from fans to put to Lost 's executive producers/showrunners Damon Lindelof and Carlton Cuse and stars Matthew Fox ("Jack Shephard"), Evangeline Lilly ("Kate Austen"), and Michael Emerson ("Benjamin Linus") for a series of on-camera interviews taking place this weekend. If you have a specific question for any of the above producers or actors from Lost , please leave it in the comments section below . I'll be accepting questions until midnight PT tonight and, while I can't promise I'll be able to ask any specific inquiry due to the brevity of these on-camera interviews, I am looking for some insightful and thought-provoking questions to add to the mix. So who knows: your burning question might get asked after all.

What's Done is Done: The Eternal Struggle Between Good and Evil on the Season Finale of "Lost"

Every story begins with thread. It's up to the storyteller to determine just how much they need to parcel out, what pattern they're making, and when to cut it short and tie it off. With last night's penultimate season finale of Lost ("The Incident, Parts One and Two"), written by Damon Lindelof and Carlton Cuse, we began to see the pattern that Lindelof and Cuse have been designing towards the last five seasons of this serpentine series. And it was only fitting that the two-hour finale, which pushes us on the road to the final season of Lost , should begin with thread, a loom, and a tapestry. Would Jack follow through on his plan to detonate the island and therefore reset their lives aboard Oceanic Flight 815 ? Why did Locke want to kill Jacob? What caused The Incident? What was in the box and just what lies in the shadow of the statue? We got the answers to these in a two-hour season finale that didn't quite pack the same emotional wallop of previous season ...

Comics "Authority" Warren Ellis to Pen Original Series for AMC Network

I was initially surprised when AMC announced late last year that they intended to enter into the original programming route, particularly scripted series. But my jaw dropped last night when I learned who was developing a show with the network: British writer Warren Ellis, better known to many as a god among comic writers. (Full disclosure: Yes, I am a comic geek.) For those of you not familiar with Warren Ellis or his outstanding body of work, he's an extremely prolific comics writer whose work touches upon sociopolitical commentary. Some of his best known works include "Planetary" (penciled by Joss Whedon 's "Astonishing X-Men" collaborator John Cassaday), "The Authority," "Global Frequency" (which had been developed by John Rogers of Kung Fu Monkey fame as a pilot for the WB two seasons ago), "Excalibur" (starring my favorite X-Man--along with Joss Whedon's--Kitty Pryde), and "Transmetropolitan." And if you, my...