Skip to main content

The Daily Beast: "The Good Wife's Bad Mother"

71-year-old Mary Beth Peil is stealing scenes for her work on CBSā€™ The Good Wife.

Over at The Daily Beast, you can read my latest feature, "The Good Wife's Bad Mother," in which I talk to the former opera singer and Dawsonā€™s Creek star about playing Jackie Florrick.

While The Good Wifeā€™s title refers, rather cheekily, to Julianna Marguliesā€™ Alicia Florrickā€”who found herself embroiled in a political and sexual scandal at the start of the seriesā€™ runā€”the show explores both individualsā€™ and societyā€™s definitions and expectations of wives, mothers, and career women.

Marguliesā€™ Alicia juggles work, children, and romance, often without much regard for her own well being, perhaps outside of a solitary glass of red wine at the end of a day in court. Yet Aliciaā€™s outlook, behavior, and mores are constantly commented on or outwardly attacked by her mother-in-law Jackie Florrick, played by 71-year-old Mary Beth Peil, who began the series as a babysitter for Aliciaā€™s teenage children but who has recently emerged as the showā€™s de facto villain.

Peil is perhaps best known for her role as religious-minded Evelyn ā€œGramsā€ Ryan on six seasons of teen-centric soap Dawsonā€™s Creek, but the Tony Award-nominated actress began her career as a soprano, performing with the Metropolitan Opera, the New York City Opera, and Boris Goldovskyā€™s company. Peil will once again display her singing skills as Solange LaFitte in a limited five-week revival of Stephen Sondheimā€™s Follies in Los Angeles beginning next month, and she is currently starring Off-Broadway as real-life virtuoso violinist Erika Morini in The Morini Strad.

In Sundayā€™s episode of The Good Wife (ā€œPants on Fireā€), Peilā€™s Jackie found herself confronted by both her son Peter (Chris Noth) and Alicia over her plans to purchase the separated coupleā€™s old home, suffered a stroke, was revealed to have stolen from her grandchildrenā€™s trust fund, and emerged as the heir apparent to Livia Sopranoā€™s mantle of manipulative and controlling motherhood. The Daily Beast spoke with Peil about playing Jackie Florrick, her relationship with Alicia, Dawsonā€™s Creek, what lies ahead, and more.

Continue reading at The Daily Beast...

Comments

Popular posts from this blog

Have a Burning Question for Team Darlton, Matthew Fox, Evangeline Lilly, or Michael Emerson?

Lost fans: you don't have to make your way to the island via Ajira Airways in order to ask a question of the creative team or the series' stars. Televisionary is taking questions from fans to put to Lost 's executive producers/showrunners Damon Lindelof and Carlton Cuse and stars Matthew Fox ("Jack Shephard"), Evangeline Lilly ("Kate Austen"), and Michael Emerson ("Benjamin Linus") for a series of on-camera interviews taking place this weekend. If you have a specific question for any of the above producers or actors from Lost , please leave it in the comments section below . I'll be accepting questions until midnight PT tonight and, while I can't promise I'll be able to ask any specific inquiry due to the brevity of these on-camera interviews, I am looking for some insightful and thought-provoking questions to add to the mix. So who knows: your burning question might get asked after all.

What's Done is Done: The Eternal Struggle Between Good and Evil on the Season Finale of "Lost"

Every story begins with thread. It's up to the storyteller to determine just how much they need to parcel out, what pattern they're making, and when to cut it short and tie it off. With last night's penultimate season finale of Lost ("The Incident, Parts One and Two"), written by Damon Lindelof and Carlton Cuse, we began to see the pattern that Lindelof and Cuse have been designing towards the last five seasons of this serpentine series. And it was only fitting that the two-hour finale, which pushes us on the road to the final season of Lost , should begin with thread, a loom, and a tapestry. Would Jack follow through on his plan to detonate the island and therefore reset their lives aboard Oceanic Flight 815 ? Why did Locke want to kill Jacob? What caused The Incident? What was in the box and just what lies in the shadow of the statue? We got the answers to these in a two-hour season finale that didn't quite pack the same emotional wallop of previous season ...

See You in Another Life: Thoughts on The Series Finale of Lost

"No one can tell you why you're here." I'm of two minds (and two hearts) about the two-and-a-half hour series finale of Lost ("The End"), written by Damon Lindelof and Carlton Cuse and directed by Jack Bender, which brought a finality to the story of the passengers of Oceanic Flight 815 and the characters with which we've spent six years. At its heart, Lost has been about the two bookends of the human existence, birth and death, and the choices we make in between. Do we choose to live together or die alone? Can we let go of our past traumas to become better people? When we have nothing else left to give, can we make the ultimate sacrifice for the greater good? In that sense, the series finale of Lost brought to a close the stories of the crash survivors and those who joined them among the wreckage over the course of more than 100 days on the island (and their return), offering up a coda to their lives and their deaths, a sort of purgatory for found, r...