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The Daily Beast: "Most Memorable TV Deaths of 2011"

Looking back, 2011 proved to be a particularly deadly one for television characters, whose bodies were stacking up even before the return of AMC’s The Walking Dead , which rather notoriously raises the body count each season. From Breaking Bad and Game of Thrones to Downton Abbey and Boardwalk Empire , TV-show creators this year proved that they were only too willing to kill off beloved characters or shock their respective audiences with deaths involving characters long believed to be “safe,” whether those were little girls, Halloween trick-or-treaters, or heroes. Safety, it seems, is an outmoded idea. Head over to The Daily Beast to read my and Maria Elena Fernandez's latest feature, "Most Memorable TV Deaths of 2011," in which we examine our choices for the most memorable TV demises this year, rounding up an unlucky 13 who left their fictional lives too soon. But beware : if you’re not up to date on the 12 shows discussed below, you’ll want to avoid reading any

The Daily Beast: "Homeland, Justified, Downton Abbey and More: The Best and Worst TV Shows of 2011"

At The Daily Beast, it's finally time for my Best and Worst TV Shows of 2011 list: with 10 shows up for recognition as the best (including Justified, Homeland, Downton Abbey, Community, Parks and Recreation, Game of Thrones, The Good Wife , and more) and five for worst of 2011. (Plus, you can also compare my Best/Worst picks to my colleague Maria Elena Fernandez's.) Head over to The Daily Beast to read my latest feature, " Homeland, Justified, Downton Abbey and More: The Best and Worst TV Shows of 2011," which--as the title indicates--rounds up the best and worst television that 2011 had to offer. Warning: the story may contain spoilers if you are not entirely caught up on the shows discussed here. What is your take on our lists? Did your favorite/least favorite shows make the cut? Head to the comments section to discuss and debate.

Our Own Worst Enemy is Ourselves: Quick Thoughts on the Homeland Season Finale

I'm puzzled by how polarizing the season finale ("Marine One") of Showtime's Homeland ended up being, with viewers on one side or the other about just how effective--and believable--the climax of the espionage drama was last night. Personally, I thought it was powerful, heartbreaking, and superlative, filled with emotional resonance and an aura of tragedy hovering uneasily over everyone, particularly the now-tragic figure of Cassandra-like Carrie Mathison (Claire Danes), whose portents of doom fell onto deaf ears. It's Carrie who saves the lives of the Vice President and his cabinet as well as that of Nicholas Brody (Damian Lewis), but her instability is used as a weapon against her. In essence, she saves the world, but is denied the knowledge that she's done so. Her breakdown in the final third of the episode isn't just a mental one, but that of communication as well as self-worth. Carrie's entire persona is based on a laser-like precision of the

The Daily Beast: "TV Breaks the Incest Taboo"

HBO's Boardwalk Empire , Game of Thrones , Bored to Death and other TV shows have recently featured incest storylines or themes. Over at The Daily Beast, you can read my latest feature, "TV Breaks the Incest Taboo," in which I examine this troubling trend in scripted programming. In 1990, Twin Peaks gave the world a nightmare vision into the seediness beneath the placid veneer of small-town America. But while one of the many puzzles embedded within Twin Peaks ’ narrative was the identity of the murderer of teen queen Laura Palmer (Sheryl Lee), the true secret lurking at the heart of the mystery was the incest and abuse suffered by Laura at the hands of her father, Leland (Ray Wise) and the psychic damage this secret caused his wife, Sarah (Grace Zabriskie). It’s a reveal so horrific, so destructive, that the creators represented it in terms of the supernatural, having Leland possessed by a demonic entity in order to explain the cruelty and lack of humanity that suc

The Daily Beast: "Fall TV Report Card: The Winners and Losers"

With the 2011-12 television season in full swing and the cancellation orders stacking up, Jace Lacob rounds up the season’s winners ( Revenge ! Homeland !), losers ( Man Up! Whitney! ), and draws. Over at The Daily Beast, you can read my latest story, "Fall TV Report Card: The Winners and Losers," in which I offer up not a critic's list, or a Best of 2011 TV list, but a business story selecting the winners and losers (as well as draws) for the first half of the 2011-12 television season. (Those selections are in the gallery.) With the 2011-12 television season well underway, it’s become increasingly clear that this isn’t the best fall the broadcasters have ever had. Back in May, when the networks touted their new offerings to advertisers, it appeared they were trying to take some risks with their programming. But the opposite is true: most of those shows featured what the networks hoped were built-in audiences for retro brand settings ( Pan Am ! The Playboy Club !)

The Daily Beast: "Bravo’s Addictive Work of Art"

The art-world reality competition, Work of Art , with its oddball artists, overly harsh judges, and a terrifically animated mentor has become must-see television. Let’s be honest: Many of us watch reality television to fulfill a voyeuristic need to peer into other people’s lives, and to perhaps feel better about our own. The staggering success of Bravo’s Real Housewives franchise would seem to prove this, just as, similarly, the cable channel’s reality shows tap this universal human need within the context of competition. We’ve seen pastry chefs break down about Red Hots, fashion designers make competitors’ mothers cry ( Project Runway ’s Jeffrey Sebelia, we’re looking at you), but the drama has perhaps never seemed quite so real or the participants quite so tortured as the artists on Bravo’s highly addictive Work of Art , currently airing its second season Wednesday nights at 9 p.m. Over at The Daily Beast, you can read my latest story, "Bravo’s Addictive Work of Art ,&quo

The Daily Beast: "Showtime's Homeland: The Best New Show of the Season

There is no room for argument: Showtime’s provocative and gut-wrenching psychological thriller Homeland is the best new show of the season. Revolving around two very unreliable narrators engaged in a series of riveting mind games, Homeland explores an America 10 years after 9/11, surveying the damage done to both the national psyche and the central protagonists. Claire Danes plays Carrie Mathison, a CIA operative with both a mental illness and a troubling sense of personal guilt that she missed crucial intelligence prior to the Sept. 11 attacks; Damian Lewis (Life) plays soldier Nicholas Brody, a prisoner of war who returns home to a family that long thought him dead, and who may or may not have been turned into an enemy of the state during his eight-year captivity in Iraq. Over at The Daily Beast, you can read my latest feature, entitled "Showtime's Homeland : The Best New Show of the Season," in which I talk to the show's co-creators Alex Gansa and Howard Gor

The Daily Beast: "Community on Hiatus: Why NBC Is Making a Mistake"

Community fans, this is your St. Crispin’s Day moment. Dumping Community in favor of shifting around the Thursday-night comedies feels a bit like rearranging the deck chairs on the Titanic. Community, after all, is not the iceberg that’s sinking NBC. Over at The Daily Beast, you can read my latest story, " Community on Hiatus: Why NBC Is Making a Mistake," in which I look at the case for and against keeping the brilliant and subversive comedy around. For right now, Community airs Thursday evening at 8 p.m. on NBC.

The Daily Beast: "American Horror Story: The Craziest Show on TV"

The most divisive show on television is FX’s American Horror Story , a haunted-house drama created by Glee ’s Ryan Murphy and Brad Falchuk, with viewers and critics loving it, hating it, or loving to hate it. Over at The Daily Beast, you can read my latest feature, " American Horror Story : The Craziest Show on TV," in which Maria Elena Fernandez and I, in our latest He Said/She Said discussion, examine the show's merits and failings and attempt to come to something resembling an agreement about the show. (Spoiler: we don't.) What is your take on American Horror Story ? Head to the comments section to discuss, debate, and react. American Horror Story airs Wednesdays at 10 pm ET/PT on FX.

The Daily Beast: "The Teens of Parenthood"

In NBC’s Parenthood , the show’s teens--including Mae Whitman, Sarah Ramos, and Miles Heizer--often walk away with the most heartbreaking and emotional storylines. Over at The Daily Beast, you can read my latest feature, entitled "TV's Most Talented Teens" (formerly known as "The Teens of Parenthood "), in which I sit down with Whitman, Ramos, and Heizer to discuss their characters, on-set camaraderie, and, yes, the haircut that launched a thousand tweets. Parenthood returns with new episodes tonight at 10 pm ET/PT on NBC.

The Daily Beast: "Jack Huston: Boardwalk Empire's Scene-Stealer"

HBO’s Boardwalk Empire revolves around mob feuds, illegal bootlegging, and the corruption and venality that accompanied Prohibition. But beneath the surface, the show is about grasping at the American dream. That quest for happiness has never been more vivid—nor more painfully realized—than in Boardwalk Empire ’s Richard Harrow, a Great War sniper who now kills for profit, wearing a tin half-mask. Jack Huston, the grandson of legendary director John Huston (and nephew to Anjelica and Danny Huston), is stealing nearly every scene of HBO’s Boardwalk Empire , where he plays disfigured sniper turned hitman Richard Harrow. At The Daily Beast, you can read my latest feature, " Boardwalk Empire 's Scene-Stealer," in which I talk to Huston about this week’s episode, wearing the mask, and whether Richard still has a soul.

Rolling the Dice: An Advance Review of Community's "Remedial Chaos Theory"

Warning: You do not want to miss Thursday's episode of Community . It's a given that some of the most ambitious episodes of NBC's Community are often the ones with the seemingly most straightforward concepts. Look at Season Two's fantastic "Cooperative Calligraphy" for a strong example of this: the gang at Greendale is locked in the study room when Annie's pen goes missing. A bottle episode is turned on its head (no pun intended) here, transforming a slight idea into a larger one as the group is beset by paranoia and fractures in front of our eyes. The same holds true for Thursday's upcoming episode, "Remedial Chaos Theory," another bottle episode that defies the laws of logic and probability in a way. With Dan Harmon and the writing staff achieving such dizzying heights with "Cooperative Calligraphy," it seemed nearly impossible that they would be able to approach another bottle episode with the same gonzo spirit that made the

The Daily Beast: "The Cult of Linda Hunt"

At 66 and four-feet-nine, Linda Hunt is an unlikely action heroine. But as the enigmatic Hetty Lange on NCIS: LA , Oscar winner Hunt (who won for her staggering performance as a male Indonesian-Australian dwarf in Peter Weir's The Year of Living Dangerously ) has become a Teen Choice Award recipient and the show’s breakout character. Over at The Daily Beast, you can read my latest feature, entitled "The Cult of Linda Hunt," in which I sit down with the Oscar (and Teen Choice Award!) winner Hunt to discuss NCIS: Los Angeles' Hetty, The Year of Living Dangerously , water from the moon, and what the future holds. (I also talk to creator Shane Brennan and Chris O'Donnell about the remarkable Hunt and her character.) NCIS: Los Angeles airs Tuesday evenings at 9 pm ET/PT on CBS.

Brand New Day: Thoughts on the Season Premiere of The Good Wife

The wait is over. After months of waiting breathlessly for the repercussions of Alicia (Julianna Margulies) and Will (Josh Charles) entering that hotel room together (with Alicia taking control of the situation), The Good Wife returned for the start of its third season ("A New Day"), written by Robert and Michelle King, with a new night and timeslot, a new haircut for Alicia, and a new office for our erstwhile good wife, who proved this week just how bad she can be. Among other areas, The Good Wife has excelled in its handling of female sexuality, particularly in terms of how it's handled within the confines of a primetime broadcast network drama. This hasn't been a show featuring much bed-hopping from its main character, who spent the first two seasons coming to terms with her husband's infidelity, her passion towards her boss, and her decision to kick said husband to the curb after learning that he had slept with one of the few friends she had (that would

The Daily Beast: "A Gifted Man's Leading Lady: Jennifer Ehle"

Jennifer Ehle, best known for playing Elizabeth Bennet in BBC’s Pride & Prejudice , co-stars in a new CBS drama, A Gifted Man . Over at The Daily Beast, you can read my latest feature, " A Gifted Man 's Leading Lady," in which I sit down with Jennifer Ehle to discuss ghost sex, Game of Thrones, A Gifted Man, Pride & Prejudice , attachment parenting, Mr. Darcy, and more. A Gifted Man begins tonight at 8 pm ET/PT on CBS.

The Daily Beast: "Inside The Good Wife Writers’ Room"

There is an emergency session underway within the writers’ room of CBS’s critically acclaimed drama, The Good Wife , which returns for its third season on Sunday, Sept. 25. With 48 hours to go, the writers—overseen by husband-and-wife creators Robert and Michelle King—must rewrite the latest script and untangle a Gordian knot to come up with a new procedural case for hotshot lawyer Alicia Florrick (recent Emmy Award winner Julianna Margulies) and the firm to tackle. In the second season of the critical and ratings hit, the personal loomed large for all of the show’s characters. Alicia gave into temptation and slept with her boss, Will (Josh Charles), after years of having bad timing. Kalinda (Archie Panjabi) went to great lengths to conceal a long-buried secret—that she had, years before, slept with Alicia’s husband, Peter (Chris Noth)—in a storyline that involved baseball bats, smashed-out windows, and assaulting rival investigator Blake (Scott Porter). With its deft plotting an

An Indelible Mark: A Review of Season Four of Fox's Fringe

Try as you might, there are some marks that can never be scrubbed out entirely. There are some people who leave an indelible impression on our souls which remains long after they've gone, an afterimage burned onto our retinas, an echo of a cry for help, a sigh, a plaintive wail, or a whispered declaration of love. Within the world of Fringe , Peter Bishop no longer exists. We saw him blink out of existence at the end of the third season finale, flickering before our eyes as two universes forgot all about him. Nature, of course, abhors a vacuum, so time and space rush to fill the void left behind when an item is plucked out of the timestream. What does all of this have to do with Season Four of Fringe ? I'm glad you asked. ( PLEASE DO NOT REPRODUCE THIS REVIEW IN FULL ON ANY WEBSITES, BLOGS, MESSAGE BOARDS, OR SIMILAR. ) The season opener ("Neither Here Nor There") contains a rather ordinary procedural plot, but it also reintroduces us to the two universes, and to

The Daily Beast: "Parks and Recreation: The Comedy of Hope"

It's no secret that I love NBC's Parks and Recreation . Over at The Daily Beast, I have not one but two features on the Pawnee-set comedy today, which returns later this week for a fourth season. In Part One of my Parks and Recreation feature at The Daily Beast, in which I visit the set of Parks and Recreation and spend time with Amy Poehler, Nick Offerman, Adam Scott, Chris Pratt, Aubrey Plaza, and showrunner Mike Schur, exploring what Offerman deems "the comedy of hope" that the show taps into, and the intelligence and spirit of Parks and Rec . In Part Two , I offer some mild spoilers for Season 4, exploring what's ahead for Leslie, April and Andy, Ron Swanson, Ann Perkins, Mark Brendanawicz, and The End? Season Four of Parks and Recreation begins this Thursday at 8:30 pm ET/PT on NBC.

The Daily Beast: "TV to Watch (and Skip) This Fall"

The fall television season is now upon us, and the offerings seem pretty underwhelming for the most part. From must-watch entries like A Gifted Man, Revenge, Homeland , and Pan Am to the better-forgotten Terra Nova , I Hate My Teenage Daughter , Man Up! , and Grimm , I break down which new shows you should be watching this fall and which will have you running from the room, in my latest feature at The Daily Beast, "TV to Watch (and Skip) This Fall." What will you be watching this fall? And what are you skipping altogether? Head to the comments section to discuss.

The Daily Beast: "Our Emmy Picks!"

While the Primetime Emmy Awards aren’t typically known for offering gasp-inducing surprises, last year’s ceremony did make an instant star out of The Good Wife ’s Archie Panjabi, who walked off with the award for Outstanding Supporting Actress in a Drama Series, even as most of the crowd gathered said, “Who?” (Those of us who know and love The Good Wife, however, cheered for Kalinda’s win.) Anything is possible, particularly in some key races (like Panjabi’s category again this year) that are going neck-and-neck as we move into the days leading up to Sunday’s telecast, which will air—for the second year in a row—live from coast to coast. The winners will be announced on Sept. 18’s live Primetime Emmy Awards telecast on Fox. But, in the meantime, over at The Daily Beast, you can read my latest feature, "Our Emmy Picks!," in which Maria Elena Fernandez and I offer their predictions of who and what will take home the top prizes in 10 key Emmy races. Will stealth frontrunn

The Daily Beast: "The Fall TV Season Begins!"

Time to head back to the couch, America. The fall TV season is here and all of your favorite shows—from The Walking Dead and The Good Wife to Dexter and Boardwalk Empire —and a slew of new ones are soon heading to a TV set near you. Will you find Ringer to be the second coming of Sarah Michelle Gellar… or is it the second coming of Silk Stalkings ? Time will tell, but at least your TV favorites are back with brand new seasons, and lots of plot twists. To refresh your memory after the long summer, over at The Daily Beast, you can read my latest feature, entitled "The Fall TV Season Begins!," in which Maria Elena Fernandez and I round up a guide to the good and bad times of last season--or in this case, 23 cliffhangers--and offer a peek into what’s coming next this fall.

Quick Thoughts on Tonight's Parenthood Season Premiere

I had hoped to have a full review of tonight's fantastic Parenthood season opener ("I Don't Want to Do This Without You"), but unfortunately I'm being pulled in a thousand directions at the moment, so you'll have to settle for a glowing (if brief) recommendation to tune in tonight when this remarkable and emotionally powerful series returns for its third season. Five months have passed since we last saw the sprawling Braverman clan, and change is in the air for nearly all of the family members. Adam (Peter Krause) is still out of work and has been reduced to loafing around the house and going on interviews for jobs that he doesn't really want and is over qualified for, having lost his purpose and identity as the family's breadwinner; Kristina (Monica Potter), meanwhile, is quite pregnant and quite capable of bringing home the bacon, having gone back to work. It's interesting to see how the dynamic between the two of them has shifted so considera

Day of the Dead: Thoughts on the Season Finale of HBO's True Blood

"I'll always be with you." I've been quiet about the last few episodes of True Blood , partly because I've had a massive amount of deadlines at work and am in the process of moving house (and taking time off as a result), but also because my enthusiasm for the series has waned considerably during the final few installments of Season Four. After a series of strong episodes, I felt the quality drop considerably out of the final third of the season. I will say, however, that I did quite enjoy the season finale ("And When I Die"), written by Raelle Tucker and directed by Scott Winant, which is a head-scratcher as I typically don't love the True Blood season finales as a rule, as they tend to be more about setting up the next season than wrapping up storylines. (I tend to think of them more as epilogues or codas than anything else.) Given how little I've liked the rally massacre/standoff at Moon Goddess storylines, I was surprised by how much ple

The Daily Beast: "The Real Race for Best Drama: Why Mad Men May Not Win"

The race for the Emmy Awards’ top drama prize isn’t as cut and dried as it looks. Over at The Daily Beast, you can read my latest feature, "The Real Race for Best Drama: Why Mad Men May Not Win," in which I examine the cutthroat competition this year for best drama, and why Mad Men may not win the top spot at next weekend's awards ceremony. (Though it probably will.) What's your take on the drama race this year? Will Mad Men four-peat? Will The Good Wife claim the top pick? Will HBO's Game of Thrones or Boardwalk Empire walk away with the statuette? Or will Friday Night Lights pull off the impossible and finally get some recognition for its outstanding fifth and final season? Head to the comments section to discuss.

The Daily Beast: "Mad Men Up Close: Matthew Weiner and Jon Hamm on 'The Suitcase'"

Mad Men 's fourth season episode "The Suitcase" was instantly deemed a classic hour of TV. Over at The Daily Beast, you can read my latest feature, " Mad Men Up Close," in which series creator Matthew Weiner and star Jon Hamm offer an oral history of the gut-wrenching, Emmy-nominated episode "The Suitcase." Weiner and Hamm dissect six of the most powerful and indelible sequences from “The Suitcase,” the relationship between Don and Peggy, and Hamm’s performance, which Weiner called “magical.” Get your handkerchiefs ready. Season Five of Mad Men is slated to begin March 2012 on AMC.

The Daily Beast: "Game of Thrones' Creative Gurus:" (Interview with Dan Weiss and David Benioff)

Hungry for some Game of Thrones scoop? (I know I am.) Over at The Daily Beast, you can read my latest feature, " Game of Thrones ' Creative Gurus," in which I catch up with Game of Thrones writer/executive producers Dan Weiss and David Benioff to discuss the show's numerous Emmy nominations (and Emilia Clarke's snub), the casting of Carice van Houten and Hannah Murray (as Melisandre and Gilly, respectively), "sexposition," and what's to come in Season Two of the HBO fantasy drama. All together now: "HODOR!" Season Two of Game of Thrones will launch in 2012.

The Daily Beast: "The Brits' Surprising Emmy Hit" and "Inside Downton Abbey Season Two"

Yes, Downton Abbey adherents, I've got a bit of a treat for you: not just one, but TWO, features about the hit British period drama today. Over at The Daily Beast, you can read my latest feature, "The Brits' Surprising Emmy Hit," Part One of Two of my Downton Abbey features today, this time an Emmys feature on the British drama, recognized with 11 nominations this year, including Outstanding Made-for-TV-Movie or Miniseries. I talk with creator Julian Fellowes and the cast about Emmy nominations, the show’s insane popularity on both sides of the Atlantic, and what’s coming up on Season Two. If that's not enough period goodness for you, there's my second feature, entitled "Inside Downton Abbey Season Two," in which Julian Fellowes and the cast of Downton Abbey (including Dan Stevens, Michelle Dockery, Elizabeth McGovern, and Siobhan Finneran) provide me with some clues about what's coming up on the second season of the period drama, begin

The Daily Beast: "Margo Martindale: Emmy’s Stealth Frontrunner"

Nominee Margo Martindale, in the running for outstanding supporting actress, may not be prepping an Emmy acceptance speech--but she should be, especially after her magnificently malevolent turn as Mags Bennett on FX's Justified this year. Over at The Daily Beast, you can read my latest feature, "Emmy’s Stealth Frontrunner," in which I sit down with Martindale to discuss playing Justified ’s Mags Bennett, how she won’t be wasted on CBS’s A Gifted Man , and why she believes in ghosts. Justified returns for a third season in 2012.

More from Moffat: Outtakes From My Interview with Doctor Who Showrunner Steven Moffat

Yesterday, over at The Daily Beast, I ran my interview with Doctor Who head writer Steven Moffat , in which we discussed the shocking identity of River Song (Alex Kingston), criticisms of “bad girl” companion Amy Pond (Karen Gillan), the tenture of Moffat and series lead Matt Smith, and we dispelled quite a few (false) rumors about Season Seven along way. Not everything from the time I spent with Moffat made it into that interview, so below you'll find some of the outtakes that were cut for length from The Daily Beast Q&A with Moffat. Among the topics: whether we'll see Torchwood 's Captain Jack Harkness (John Barrowman) in the TARDIS anytime soon (and why River is, in some ways, a replacement for Jack), why Moffat seems to relish killing Rory (Arthur Darvill) over and over again, why Season Six was split into two halves for broadcast, how dark the second half of the season gets, and a brief discussion of Doctor Who 's episodic budget. The Daily Beast: What

The Daily Beast: "Doctor Who’s Global Takeover" (Interview with Steven Moffat)

Once a cult series, British sci-fi drama Doctor Who has become a global phenomenon, and new audiences are embracing the 900-year-old alien time traveler--now played by roughly 29-year-old Matt Smith--with alarming passion. (Witness the rock-star welcome Smith and co-star Karen Gillan got at July’s Comic-Con.) Doctor Who , under head writer Steven Moffat, who replaced Russell T. Davies last season, returns for the second half of its sixth season in the U.S. and the U.K. on Saturday. Over at The Daily Beast, you can read my latest feature, " Doctor Who ’s Global Takeover," in which I sit down with Moffat in Los Angeles to discuss the shocking identity of River Song (Alex Kingston), criticisms of “bad girl” companion Amy Pond (Gillan), and rumors about next season. Doctor Who returns Saturday, August 27th for the second half of Season Six, kicking off with "Let's Kill Hitler," at 9 pm ET/PT on BBC America and at 7:10 pm GMT on BBC One.

The Daily Beast: "Emmys 2011: The Good Wife's Best Actress" (Julianna Margulies)

Julianna Margulies has been nominated for an Emmy Award for CBS’ The Good Wife . Over at The Daily Beast, you can read my latest feature (and the first in a series of Emmys-centric pieces heading your way), " The Good Wife 's Best Actress," in which I speak with Margulies about playing the brilliant and career-driven Alicia Florrick on The Good Wife , Alicia and Will (Josh Charles), Alicia and Kalinda (Archie Panjabi), wigs, gate-crashing the Governor's Ball, and her Emmy nomination. Season Three of The Good Wife begins Sunday, September 25th at 9 pm ET/PT on CBS.

The Daily Beast: "Becoming Chloë Sevigny"

Oscar nominee Chloë Sevigny may be the former star of Big Love on TV – but online, she’s developed a viral following at the hand of her drag-queen impersonator, Drew Droege. Over at The Daily Beast, Droege writes about his muse and inspiration, and how the two came face to face, in the hilarious first-person piece "Becoming Chloë Sevigny." (Complete with video from Droege's mordant and biting viral video series Chloe .)

True Blood's Downward Turn (Or Why I'm Not Writing a Typical Review This Week)

Confession: I couldn't bring myself to rewatch last night's episode of True Blood . This hasn't happened to date. Typically, I watch the series via press screener a few weeks ahead of broadcast and then sit down on Sunday night to rewatch the week's latest installment in order to have it fresh in my mind so I can write my review. This was not what happened this week. In fact, I was so turned off by Sunday's episode ("Let's Get Out of Here"), written by Brian Buckner and directed by Romeo Tirone, that I couldn't actually force myself to sit through it again. Which is saying something, I think. Perhaps it was the overabundance of Emma (shudder), the hostage standoff/ Ghost Whisperer plot of Lafayette (double shudder), Sookie's intensely unerotic dream, or the irritating showdown at the Vampire Rights rally (yawn), this episode just got under my skin in the worst possible way. I've been able to rationalize a lot with True Blood and fin