Skip to main content

Is BBC America's The Choir The Anti-Glee?

It's a provocative question, really. Is BBC America's newest British reality import, The Choir, the exact opposite of FOX's musical-comedy Glee, despite the similar choral trappings?

It is, in every conceivable way and that's a very good thing indeed. The Choir, which launches tonight at 10 pm ET/PT, finds plucky choirmaster Gareth Malone attempting to create a competitive choir out of a group of musical novices at a run-down comprehensive school where music isn't an important element of their education. (You can take a look at some clips from The Choir here.)

With a spot at the World Choir Olympics in China on the line, Malone attempts to fashion these teens into world-class singers and teach them the joys of performing in a group. It's no small task, given that many of these teens are at-risk to begin with and none of them have any formal training.

The result ends up being paradoxically gritty and uplifting, as the cameras not only follow Malone as he attempts to awaken their slumbering musical abilities but also follows the teens home as well, focusing on their own adversities: anger problems, an absent father, a general inability to commit or to attempt to overcome a challenge.

Unlike Glee, these issues raised aren't wrapped up by the time the credits roll at the end of the episode; rather, they spill over from week to week as Gareth butts heads with his teenage choir members and attempts to rein in egos, attitudes, and expectations.

There are no showy daydream numbers here, no auto-tune, no anvil-heavy thematic storytelling. Just a rough docu-style approach that captures the small moments between rehearsals: a gathering of Gareth's opera friends and his search for sheet music is juxtaposed against the travails of modern life: a family awaits word whether their pater familias will be granted a visa to return to the United Kingdom, a mother frets about her daughter's tardiness, a young girl sees the consequences of her actions as she is barred from participating in the choir.

But it's not all doom and gloom, either. Gareth's drive and determination to pull off the seemingly impossible task of shaping these young singers into a single and competitive unit is refreshing in an age of cynicism; his efforts to give these kids a creative outlet and open their minds to something other than pop music is admirable, even as his efforts to get them to sing some Vivaldi is, er, met with some resistance.

Likewise, the series captures the joys and heartbreak of adolescence as well: the excitement that comes from landing a spot on the choir after open auditions to the despair of those who don't. (And those who, to their later chagrin, discover that not all of them may be heading to China to compete.)

The result is uplifting and entertaining in equal measure, not to mention genuinely emotional. Be prepared for the tears, though not the melodramatic kind. There, after all, are no fake pregnancies going on here.

The Choir launches tonight at 10 pm ET/PT on BBC America.

Comments

Harryette said…
Based on your review this seems MUCH more enjoyable than Glee--kind of like a Jamie Oliver special rather than a wannabe Lady Gaga video. I'm looking forward to watching it!
Anonymous said…
I love the Choir but I do not think compairisons between it and Glee are necessary. One is a scripted television show with professional performers . One can like them both for different reasons. I happened upon the Choir quite by accident and am so happy I did. It has so much heart and the choirmaster is a sweetheart.

I'm greatful for and enjoy both shows.

Peace ,
Lee

Popular posts from this blog

Have a Burning Question for Team Darlton, Matthew Fox, Evangeline Lilly, or Michael Emerson?

Lost fans: you don't have to make your way to the island via Ajira Airways in order to ask a question of the creative team or the series' stars. Televisionary is taking questions from fans to put to Lost 's executive producers/showrunners Damon Lindelof and Carlton Cuse and stars Matthew Fox ("Jack Shephard"), Evangeline Lilly ("Kate Austen"), and Michael Emerson ("Benjamin Linus") for a series of on-camera interviews taking place this weekend. If you have a specific question for any of the above producers or actors from Lost , please leave it in the comments section below . I'll be accepting questions until midnight PT tonight and, while I can't promise I'll be able to ask any specific inquiry due to the brevity of these on-camera interviews, I am looking for some insightful and thought-provoking questions to add to the mix. So who knows: your burning question might get asked after all.

What's Done is Done: The Eternal Struggle Between Good and Evil on the Season Finale of "Lost"

Every story begins with thread. It's up to the storyteller to determine just how much they need to parcel out, what pattern they're making, and when to cut it short and tie it off. With last night's penultimate season finale of Lost ("The Incident, Parts One and Two"), written by Damon Lindelof and Carlton Cuse, we began to see the pattern that Lindelof and Cuse have been designing towards the last five seasons of this serpentine series. And it was only fitting that the two-hour finale, which pushes us on the road to the final season of Lost , should begin with thread, a loom, and a tapestry. Would Jack follow through on his plan to detonate the island and therefore reset their lives aboard Oceanic Flight 815 ? Why did Locke want to kill Jacob? What caused The Incident? What was in the box and just what lies in the shadow of the statue? We got the answers to these in a two-hour season finale that didn't quite pack the same emotional wallop of previous season ...

In Defense of Downton Abbey (Or, Don't Believe Everything You Read)

The proof of the pudding, as they say, is in the eating. Which means, if I can get on my soapbox for a minute, that in order to judge something, one ought to experience it first hand. One can't know how the pudding has turned out until one actually tastes it. I was asked last week--while I was on vacation with my wife--for an interview by a journalist from The Daily Mail, who got in touch to talk to me about PBS' upcoming launch of ITV's period drama Downton Abbey , which stars Hugh Bonneville, Dame Maggie Smith, Dan Stevens, Elizabeth McGovern, and a host of others. (It launches on Sunday evening as part of PBS' Masterpiece Classic ; my advance review of the first season can be read here , while my interview with Downton Abbey creator Julian Fellowes and stars Dan Stevens and Hugh Bonneville can be read here .) Normally, I would have refused, just based on the fact that I was traveling and wasn't working, but I love Downton Abbey and am so enchanted with the proj...