Skip to main content

The Daily Beast: "Steve Carell to Leave The Office: End the Show"

Steve Carell made headlines earlier this week when he restated his intentions to leave The Office after the end of next season.

Over at The Daily Beast, I discuss why NBC should cancel The Office after Carell leaves rather than attempt to rejigger the ensemble cast or bring in a new manager for the Scranton branch of Dunder Mifflin.

You can read my latest piece, "Steve Carell to Leave The Office: End the Show" here.

Be sure to head to the comments section to discuss your own feelings about whether the creative spark has gone out at the once superb workplace comedy and what the network should do with the series post-Carell.

Comments

AskRachel said…
I totally agree. The show used to be brilliant but the last few seasons were pretty painful to watch and I think Parks & Rec is now much more enjoyable and funny (which is why it's a tragedy that it only got picked up for mid season).

Carell is a fantastic comedian and I'm glad he'll be moving on to other (hopefully better) things.
Mimi C said…
This show should have ended 2 years ago. I would like to see what these talented people (actors and writers) will do next.
Anonymous said…
The show has been atrocious the past couple seasons (Michael Scott Paper Company was the only good thing about season 5), but that's no reason to end the show. In fact, it could be better than ever by getting rid of Jim & Pam (every storyline of theirs has been death since season 3) and Dwight (just way too over the top). Put in Andy Bernard as the new boss (funniest character on the show), and between Ryan, Creed, Kelly, Erin, Toby, and Kevin, you've got more than enough for a great show.

Popular posts from this blog

Have a Burning Question for Team Darlton, Matthew Fox, Evangeline Lilly, or Michael Emerson?

Lost fans: you don't have to make your way to the island via Ajira Airways in order to ask a question of the creative team or the series' stars. Televisionary is taking questions from fans to put to Lost 's executive producers/showrunners Damon Lindelof and Carlton Cuse and stars Matthew Fox ("Jack Shephard"), Evangeline Lilly ("Kate Austen"), and Michael Emerson ("Benjamin Linus") for a series of on-camera interviews taking place this weekend. If you have a specific question for any of the above producers or actors from Lost , please leave it in the comments section below . I'll be accepting questions until midnight PT tonight and, while I can't promise I'll be able to ask any specific inquiry due to the brevity of these on-camera interviews, I am looking for some insightful and thought-provoking questions to add to the mix. So who knows: your burning question might get asked after all.

What's Done is Done: The Eternal Struggle Between Good and Evil on the Season Finale of "Lost"

Every story begins with thread. It's up to the storyteller to determine just how much they need to parcel out, what pattern they're making, and when to cut it short and tie it off. With last night's penultimate season finale of Lost ("The Incident, Parts One and Two"), written by Damon Lindelof and Carlton Cuse, we began to see the pattern that Lindelof and Cuse have been designing towards the last five seasons of this serpentine series. And it was only fitting that the two-hour finale, which pushes us on the road to the final season of Lost , should begin with thread, a loom, and a tapestry. Would Jack follow through on his plan to detonate the island and therefore reset their lives aboard Oceanic Flight 815 ? Why did Locke want to kill Jacob? What caused The Incident? What was in the box and just what lies in the shadow of the statue? We got the answers to these in a two-hour season finale that didn't quite pack the same emotional wallop of previous season ...

See You in Another Life: Thoughts on The Series Finale of Lost

"No one can tell you why you're here." I'm of two minds (and two hearts) about the two-and-a-half hour series finale of Lost ("The End"), written by Damon Lindelof and Carlton Cuse and directed by Jack Bender, which brought a finality to the story of the passengers of Oceanic Flight 815 and the characters with which we've spent six years. At its heart, Lost has been about the two bookends of the human existence, birth and death, and the choices we make in between. Do we choose to live together or die alone? Can we let go of our past traumas to become better people? When we have nothing else left to give, can we make the ultimate sacrifice for the greater good? In that sense, the series finale of Lost brought to a close the stories of the crash survivors and those who joined them among the wreckage over the course of more than 100 days on the island (and their return), offering up a coda to their lives and their deaths, a sort of purgatory for found, r...