The Daily Beast: "More Big Love Questions Answered" ("Big Love" Postmortem, Part Two)

Looking answers to your burning questions from this week's season finale of HBO's Big Love?

Head over to The Daily Beast, where you can read the second part of a day-after interview with Big Love creators/executive producers Mark V. Olsen and Will Scheffer, one that delves deeper into the world of Big Love to bring you some confirmations and some answers to some subplots. (You can find Part One here.)

For those who haven't yet seen Sunday night's fourth season finale of Big Love, major spoiler warnings apply as Olsen, Scheffer, and I discuss everything from changing Big Love’s opening credit sequence in the fourth season; what happened to the church Bill started; whether it was Tommy or Jerry who sold out the Henricksons to Marilyn Densham; what JJ wanted from Joey; the creepy miracle pregnancy of Adaleen; the fates of JJ and Malinda; and much, much more.

Season Five of Big Love will air in 2011 on HBO.

Comments

Helen said…

Your interview (both parts!) was fantastic and provided answers to many of the questions I had. I know that this season wasn't as strong but I still love the characters and have faith in the show and am already looking forward to next season.

3/11/2010

Barbara said…

Both parts of your interview were illuminating and important to the understanding of the characters and all of their delicate interconnections. I would agree that it felt like a rushed season---and certainly much too short!--but that didn't detract from the sheer viewing pleasure. It interests me that no one , not even you Jace, has mentioned the final costume choices in that last shot. There stands yet another definition of the American family, showing their true colors (both figuratibvely and really)in brilliant red, white and blue. Such a brave gesture, and so foolish.

3/12/2010

Have a Burning Question for Team Darlton, Matthew Fox, Evangeline Lilly, or Michael Emerson?

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What's Done is Done: The Eternal Struggle Between Good and Evil on the Season Finale of "Lost"

Every story begins with thread. It's up to the storyteller to determine just how much they need to parcel out, what pattern they're making, and when to cut it short and tie it off. With last night's penultimate season finale of Lost ("The Incident, Parts One and Two"), written by Damon Lindelof and Carlton Cuse, we began to see the pattern that Lindelof and Cuse have been designing towards the last five seasons of this serpentine series. And it was only fitting that the two-hour finale, which pushes us on the road to the final season of Lost , should begin with thread, a loom, and a tapestry. Would Jack follow through on his plan to detonate the island and therefore reset their lives aboard Oceanic Flight 815 ? Why did Locke want to kill Jacob? What caused The Incident? What was in the box and just what lies in the shadow of the statue? We got the answers to these in a two-hour season finale that didn't quite pack the same emotional wallop of previous season

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In Defense of Downton Abbey (Or, Don't Believe Everything You Read)

The proof of the pudding, as they say, is in the eating. Which means, if I can get on my soapbox for a minute, that in order to judge something, one ought to experience it first hand. One can't know how the pudding has turned out until one actually tastes it. I was asked last week--while I was on vacation with my wife--for an interview by a journalist from The Daily Mail, who got in touch to talk to me about PBS' upcoming launch of ITV's period drama Downton Abbey , which stars Hugh Bonneville, Dame Maggie Smith, Dan Stevens, Elizabeth McGovern, and a host of others. (It launches on Sunday evening as part of PBS' Masterpiece Classic ; my advance review of the first season can be read here , while my interview with Downton Abbey creator Julian Fellowes and stars Dan Stevens and Hugh Bonneville can be read here .) Normally, I would have refused, just based on the fact that I was traveling and wasn't working, but I love Downton Abbey and am so enchanted with the proj

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