Skip to main content

Comics "Authority" Warren Ellis to Pen Original Series for AMC Network

I was initially surprised when AMC announced late last year that they intended to enter into the original programming route, particularly scripted series. But my jaw dropped last night when I learned who was developing a show with the network: British writer Warren Ellis, better known to many as a god among comic writers. (Full disclosure: Yes, I am a comic geek.)

For those of you not familiar with Warren Ellis or his outstanding body of work, he's an extremely prolific comics writer whose work touches upon sociopolitical commentary. Some of his best known works include "Planetary" (penciled by Joss Whedon's "Astonishing X-Men" collaborator John Cassaday), "The Authority," "Global Frequency" (which had been developed by John Rogers of Kung Fu Monkey fame as a pilot for the WB two seasons ago), "Excalibur" (starring my favorite X-Man--along with Joss Whedon's--Kitty Pryde), and "Transmetropolitan."

And if you, my loyal readers, are unaware of this groundbreaking writer and his massive body of work, you're doing yourself a serious disservice.

As for Ellis himself, he made the AMC announcement via his website, stating that he's been writing the pilot for a series he created for the cable network. While Ellis was tight-lipped about any details regarding the half-hour pilot, describing it as a "black comedy/science fiction" hybrid, he offered the following statement:

"Christina Wayne at AMC, who, along with Vlad Wolynetz have just been unreasonably good to deal with, recently described it as a 'sf/entertainment-industry dramedy'. As with all TV Things, everything could go horribly wrong. But this is the deal I’ve been waiting for, with people who understand the project and format I want to work in. And you know something’s going right when people in TV are telling you to go more experimental and take more risks. This isn’t your US network tv experience. "
(Well done, Christina and Vlad. The mere fact that you pacted with Ellis earns you high marks in my book.)

I'm intrigued. And, in the meantime, I can't help but picture Ellis' Spider Jerusalem as a wacky neighbor/debauched talent agent on the show or Pete Wisdom as a chain-smoking, snarky studio executive. Hmmm... I can't wait.

Comments

Anonymous said…
I wonder if it'll be British or American.

And I still think GLOBAL FREQUENCY is great concept for a television series. I think he was probably just a year or two early with it.
Jace Lacob said…
Good question, Bart. Considering the network in question (AMC), I'd have said American, but given the Ellis' involvement and the fact that AMC has aired British programming in the past, it could go either way.

And yes, I think that John "Blue Beetle" Rogers was perhaps a little early with GLOBAL FREQUENCY. I think that it could have found a home today given the renewed interest in genre programming.

Popular posts from this blog

Have a Burning Question for Team Darlton, Matthew Fox, Evangeline Lilly, or Michael Emerson?

Lost fans: you don't have to make your way to the island via Ajira Airways in order to ask a question of the creative team or the series' stars. Televisionary is taking questions from fans to put to Lost 's executive producers/showrunners Damon Lindelof and Carlton Cuse and stars Matthew Fox ("Jack Shephard"), Evangeline Lilly ("Kate Austen"), and Michael Emerson ("Benjamin Linus") for a series of on-camera interviews taking place this weekend. If you have a specific question for any of the above producers or actors from Lost , please leave it in the comments section below . I'll be accepting questions until midnight PT tonight and, while I can't promise I'll be able to ask any specific inquiry due to the brevity of these on-camera interviews, I am looking for some insightful and thought-provoking questions to add to the mix. So who knows: your burning question might get asked after all.

What's Done is Done: The Eternal Struggle Between Good and Evil on the Season Finale of "Lost"

Every story begins with thread. It's up to the storyteller to determine just how much they need to parcel out, what pattern they're making, and when to cut it short and tie it off. With last night's penultimate season finale of Lost ("The Incident, Parts One and Two"), written by Damon Lindelof and Carlton Cuse, we began to see the pattern that Lindelof and Cuse have been designing towards the last five seasons of this serpentine series. And it was only fitting that the two-hour finale, which pushes us on the road to the final season of Lost , should begin with thread, a loom, and a tapestry. Would Jack follow through on his plan to detonate the island and therefore reset their lives aboard Oceanic Flight 815 ? Why did Locke want to kill Jacob? What caused The Incident? What was in the box and just what lies in the shadow of the statue? We got the answers to these in a two-hour season finale that didn't quite pack the same emotional wallop of previous season

In Defense of Downton Abbey (Or, Don't Believe Everything You Read)

The proof of the pudding, as they say, is in the eating. Which means, if I can get on my soapbox for a minute, that in order to judge something, one ought to experience it first hand. One can't know how the pudding has turned out until one actually tastes it. I was asked last week--while I was on vacation with my wife--for an interview by a journalist from The Daily Mail, who got in touch to talk to me about PBS' upcoming launch of ITV's period drama Downton Abbey , which stars Hugh Bonneville, Dame Maggie Smith, Dan Stevens, Elizabeth McGovern, and a host of others. (It launches on Sunday evening as part of PBS' Masterpiece Classic ; my advance review of the first season can be read here , while my interview with Downton Abbey creator Julian Fellowes and stars Dan Stevens and Hugh Bonneville can be read here .) Normally, I would have refused, just based on the fact that I was traveling and wasn't working, but I love Downton Abbey and am so enchanted with the proj